
Theatre World
Beschreibung
This collection of essays, published in honour of Professor Georgia Xanthakis-Karamanos, addresses topics which lie at the forefront of current research on the fields of Greek drama and classical reception studies. It brings together internationally distinguished scholars who provide fresh insights into issues pertaining to the origins of Greek tragedy and comedy, their generic identity, the structure, the morality or the divine and human characters emerging from individual plays, the presence of Greek drama outside Athens in post-classical times, the associations between drama and genres such as epic and oratory or even the reception of Greek drama in operatic works such as Wagner's Tristan und Isolde. Related art forms, such as music, receive particular attention. Focusing on either broader topics or specific texts, the essays of this volume provide a wide range of theoretical perspectives often combining modern critical trends such as reception studies, narratology or cultural studies with close and acute readings of individual passages. The volume is of particular interest to scholars and students of Greek drama and its reception as well as to anyone interested in Greek culture and its various manifestations.
Rezensionen / Stimmen
"With useful bibliographies accompanying most of the essays, many schoolteachers, too, should find the volume valuable, especially perhaps for its studies of fifth-century drama, but also for its emphasis on the continuing vibrancy of Greek tragedy and comedy after Euripides and Aristophanes, whether in the theatre and law-courts of Athens, the studies and libraries of Alexandria and Rome or the monasteries of Britain and Ireland. For this is a rich cornucopia, providing (for the most) part thought-provoking and stimulating reading."
David Stuttard in: Classcis for All, 04.01.2018
https://classicsforall.org.uk/book-reviews/theatre-world-critical-perspectives-greek-tragedy-comedy/
"There is no doubt that this volume, offering a variety of approaches both to the Greek theatre as a whole and to individual dramas, and containing so many thought-provoking studies, is a most useful and important contribution to the study of Greek drama."
Ioannis Polemis in: Bryn Mawr Classical Review 2018.06.35
"Es darf knapp festgehalten werden, dass den Herausgebern ein qualitativer Band gelungen ist, der die ganze (altphilologische) Breite der Beschäftigung mit dem antiken Theater und seinen Dramen widerspiegelt."
Raimund Merker in: Wiener Studien 131 (2018), 58-59
Weitere Details
Weitere Ausgaben
Personen
A. Fountoulakis , University of Crete; A. Markantonatos , University of the Peloponnese; G. Vasilaros , University of Athens.
Inhalt
- Intro
- Half Title
- Title
- Publication
- Table of Contents
- Preface
- I Tragedy and Comedy
- Francisco Rodríguez Adrados Cult, Lyric and Komos: The Origins of Tragedy and Comedy, Once Again
- Alan H. Sommerstein Philanthropic Gods in Comedy and Tragedy
- Suzanne Saïd The People in Aeschylus' Tragedies
- Chris Carey Staging Allegory
- Bernhard Zimmermann Trygodia - Remarks on the Poetics of Aristophanic Comedy
- Andreas Fountoulakis When Dionysus Goes to the East:On the Dissemination of Greek Drama beyond Athens*
- II Individual Plays
- Franco Montanari Klytaimnestra in the Odyssey and Aeschylus' Agamemnon*
- Justina Gregory Sophocles' Ajax and his HomericPrototypes
- Francis Dunn The Prosopon Fallacy or, Apollo in Sophocles' Electra
- Andreas Markantonatos Failing with Intent:A Narratological Note on the 'False Merchant Scene' in Sophocles' Philoctetes*
- Ioannis N. Perysinakis Moral Values and Political Behaviourin Euripides' Electra (367-390) and the Poetics of the Play*
- Milagros Quijada Sagredo Narrative and Rhetorical Experimentationin Euripides' Late Iphigenia at Aulis*
- III Reception
- Paul Demont A Note on Demosthenes (19.246-250) and the Reception of Sophocles' Antigone
- Michael Edwards Tragedy in Antiphon 1, Against the Stepmother
- Eleni Volonaki Euripides' Erechtheus in Lykourgos' Against Leokrates
- André Hurst Upon the king!¹
- Georgios Vasilaros The Lemnian Deeds: A Tragic Episodein the Argonautica of Apollonius Rhodius
- John Davidson Tristan and Isolde and Classical Myth
- IV Theatre and Music
- Evangelos Moutsopoulos The Role of Music in Plato's Symposium
- Egert Poehlmann Aristotle on Music and Theatre (Politics VIII 6. 1340 b 20-1342 b 34
- Poetics)
- Notes on Contributors
- Academic Publications of Georgia Xanthakis-Karamanos
- Index Locorum
- General Index
- Index of Greek Words
Systemvoraussetzungen
Dateiformat: PDF
Kopierschutz: Wasserzeichen-DRM (Digital Rights Management)
Systemvoraussetzungen:
- Computer (Windows; MacOS X; Linux): Verwenden Sie zum Lesen die kostenlose Software Adobe Reader, Adobe Digital Editions oder einen anderen PDF-Viewer Ihrer Wahl (siehe E-Book Hilfe).
- Tablet/Smartphone (Android; iOS): Installieren Sie bereits vor dem Download die kostenlose App Adobe Digital Editions oder die App PocketBook (siehe E-Book Hilfe).
- E-Book-Reader: Bookeen, Kobo, Pocketbook, Sony, Tolino u.v.a.m.
Das Dateiformat PDF zeigt auf jeder Hardware eine Buchseite stets identisch an. Daher ist eine PDF auch für ein komplexes Layout geeignet, wie es bei Lehr- und Fachbüchern verwendet wird (Bilder, Tabellen, Spalten, Fußnoten). Bei kleinen Displays von E-Readern oder Smartphones sind PDF leider eher nervig, weil zu viel Scrollen notwendig ist. Mit Wasserzeichen-DRM wird hier ein „weicher” Kopierschutz verwendet. Daher ist technisch zwar alles möglich – sogar eine unzulässige Weitergabe. Aber an sichtbaren und unsichtbaren Stellen wird der Käufer des E-Books als Wasserzeichen hinterlegt, sodass im Falle eines Missbrauchs die Spur zurückverfolgt werden kann.
Weitere Informationen finden Sie in unserer E-Book Hilfe.