Beckett's Afterlives

Introduction - Pim Verhulst, Anna McMullan and Jonathan Bignell
1 Beckett's 'adaphatroce' revisited: toward a poetics of adaptation - Pim Verhulst
2 Adaptation and convergence: Beckett on Film - Jonathan Bignell
3 'Imprecations from the Brighton Road to Foxrock Station': the effect of place on Mouth on Fire's stagings of All That Fall - Feargal Whelan
4 Engines of reverence? Beckett, festivals and adaptation - Trish McTighe and Kurt Taroff
5 Passing by, gazing upon: gendered agency in adaptations of Come and Go and Happy Days - Katherine Weiss
6 'Last state last version': adaptation and performance in Gare St Lazare Ireland's How It Is - Dunlaith Bird
7 Intermedial embodiments: Company SJ's staging of Beckett's Company - Anna McMullan
8 Beckett, neurodiversity and the prosthetic: the posthuman turn in contemporary art - Derval Tubridy
9 Beckett and new media adaptation: from the literary corpus to the transmedia archive - David Houston Jones
10 Opera as adaptation: Gyoergy Kurtag's Samuel Beckett: Fin de partie, scenes et monologues - Olga Beloborodova
11 Questioning norms in three Beckettian choreographic projections: Maguy Marin, Dominique Dupuy, Joanna Czajkowska - Evelyne Clavier
12 'I'll give you just enough to keep you from dying': power dynamics disclosed in Tania Bruguera's Endgame - Luz Maria Sanchez Cardona
13 Godot noir: Beckett in black and whiteface - S. E. Gontarski
14 Deferred dreams: waiting for freedom and equality in Nwandu and Beckett - Graley Herren
15 'How can you photograph words?': expanding the Godot universe from adaptation to transmedia storytelling - Luciana Tamas and Eckart Voigts
16 The figure of Beckett in four contemporary novels- Paul Stewart
Index -- .