Over-Measure in Kant, Hegel, and Shakespeare

Contents
Preface
Acknowledgments
List of Abbreviations
Introduction
Chapter 1: Hegel and Shakespeare on the Measure for Measure: The Hangman's Mystery
Chapter 2: Over-Measuring the World: The Principle of Quantity in Kant and Shakespeare's Antony and Cleopatra
Chapter 3: Principled Virtue in Antony and Cleopatra: Celerity
Chapter 4: Principled Virtues of Generosity and Duty, and Remarkable Over-Measure in Antony and Cleopatra
Chapter 5: Over-Measures of Quality in Shakespeare's Titus Andronicus: Tomb, Hue, Emanation, the Mark, and the Principled Virtue of Purity
Chapter 6: Over-Measures of Quality in Titus Andronicus: Revenge Caves and The Principled Virtue of Confidence
Chapter 7: Over-Measures of Substance in Shakespeare's Julius Caesar: The Principled Virtue of Leadership
Chapter 8: Over-Measures of Causality in Julius Caesar: Succession and the Soothsayer (Ambiguous Generation)
Chapter 9: Over-Measures of Coexistence in Julius Caesar: Monstrosities and the Narcissism of the Void
Chapter 10: Over-Measures of Modality in Kant and Julius Caesar: Possibility and the Axis of Meaning in Augurs and Dreams
Chapter 11: Over-Measures of Modality in Kant and Julius Caesar: Actuality in the "Refutation of Idealism" and in the Execution of the Deed; The Principled Virtue of Commitment
Chapter 12: Over-Measures of Modality in Kant and Julius Caesar: Necessity and the Principled Virtue of Freedom
Chapter 13: Hegel's Book of Over-Measures, The Phenomenology of Spirit: is its Method a Principled Virtue? Dialectical Necessity in Solger's Tragic Irony vs. in Hegel's Begriff, and Hegel's Celebration of Shakespearean Imagination
Appendix: Further Reading
Bibliography
Index
About the Author