Medievalism as cultural process in pre-industrial popular literature, John Simons; Percy, the antiquarians, the ballad, and the Middle Ages, Gwendolyn A. Morgan; "Quaint Inglis" - Walter Scott and the rise of Middle English studies, David Matthews; "Sir Tristrem" - reception and perception, Alan Lupack; George Stephens, Cheapinghaven, and old northern antiquity, Andrew Wawn; Elizabeth Barrett and the Middle Ages' woeful queens, Karen Hodder; Anglo-Saxonism, the future, and the Franco-Prussian War, Clare A. Simmons; modernizing the Grail quest - gender, theology and allegory in the iconography of G.F. Watts, Marilynn Lincoln Board; Dante, the Victorians and the distancing of history, Alison Milbank; beauty, unity and the ideal - wholeness and heterogeneity in the Kelmscott "Chaucer", Diana C. Archibald; replaying the medieval past - revivals of Chester's Mystery Plays, David Mills; pages torn from the book - narrative disintegration in Gilliam's "The Fisher King", Richard H. Osberg.
