Made in Brazil
Studies in Popular Music
1. Auflage
Erschienen am 10. Oktober 2014
Buch
Hardcover
250 Seiten
978-0-415-62560-9 (ISBN)
Beschreibung
Made in Brazil: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Brazilian popular music. The volume consists of essays by scholars of Brazilian music, and covers the major figures, styles, and social contexts of pop music in Brazil. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Brazilian popular music. The book first presents a general description of the history and background of popular music in Brazil, followed by essays that are organized into thematic sections: Samba and Choro; History, Memory, and Representations; Scenes and Artists; and Music, Market and New Media.
Rezensionen / Stimmen
"This book is a major contribution to popular music studies, not only because it presents new data on Brazilian popular musics but also because of the new insights it brings into this field of study. Made in Brazil draws a complex picture of contemporaneity, stressing the confrontation between 'roots' and 'networks,' 'national' and 'trans-national,' and the instrumental character of popular music in the establishment of groups and social classes."-Pedro Felix, Universidade Nova de Lisboa, IASPM@Journal vol.5 no.2
Weitere Details
Reihe
Sprache
Englisch
Verlagsort
London
Großbritannien
Verlagsgruppe
Taylor & Francis Ltd
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
Illustrationen
13 s/w Photographien bzw. Rasterbilder, 9 s/w Zeichnungen, 7 s/w Tabellen
7 Tables, black and white; 9 Line drawings, black and white; 13 Halftones, black and white
Maße
Höhe: 246 mm
Breite: 175 mm
Dicke: 20 mm
Gewicht
612 gr
ISBN-13
978-0-415-62560-9 (9780415625609)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
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Personen
Martha Tupinamba de Ulhoa is Professor of Musicology at UNIRIO-Universidade Federal do Estado do Rio de Janeiro-and Researcher of the Brazilian National Research Council (CNPq).
Claudia Azevedo is lecturer and developer of a post-doctoral research project on popular music analysis (with a FAPERJ-Fundacao de Amparo a Pesquisa do Estado do Rio de Janeiro-scholarship) at the Program of Post-Graduation in Music at UNIRIO-Universidade Federal do Estado do Rio de Janeiro.
Felipe Trotta is a faculty member of Media Studies Department at UFF-Universidade Federal Fluminense-and researcher of the Brazilian National Research Council (CNPq).
Claudia Azevedo is lecturer and developer of a post-doctoral research project on popular music analysis (with a FAPERJ-Fundacao de Amparo a Pesquisa do Estado do Rio de Janeiro-scholarship) at the Program of Post-Graduation in Music at UNIRIO-Universidade Federal do Estado do Rio de Janeiro.
Felipe Trotta is a faculty member of Media Studies Department at UFF-Universidade Federal Fluminense-and researcher of the Brazilian National Research Council (CNPq).
Inhalt
Introduction: Listening to popular sonorities: a historic overview of the music and popular music studies in Brazil Part I: Samba and Choro Part II: History, Memory, and Representations Part III: Critique, Mediation, and Value Part IV: Music, Market, and New Media Coda From roots to networks: listening a world called Brazil "So when are the dancers coming out?": Representations of Brazilian music in New York City Afterword Electronic and acoustic, modern MPB: A conversation with Lenine