The Origins of Music was first published in German in 1911. In this text Carl Stumpf set out a path-breaking hypothesis on the earliest musical sounds in human culture. Alongside his research in such diverse fields as classical philosophy, acoustics, and mathematics, Stumpf became one of the most influential psychologists of the late 19th century. He was the founding father of Gestalt psychology, and collaborated with William James, Edmund Husserl, and Wolfgang Koehler.
This book was the culmination of more than 25 years of empirical and theoretical research in the field of music. In the first part, Stumpf discusses the origin and forms of musical activities as well as various existing theories on the origin of music, including those of Darwin, Rousseau, Herder, and Spencer. In the second part of the book, he summarizes his works on the historical development of instruments and music, and studies a putatively global range of music from non-European cultures to demonstrate the psychological principles of tonal organization, as well as providing a range of cross-cultural musical transcriptions and analyses. This became a foundation document for comparative musicology, the elder sibling to modern Ethnomusicology, and the book provides access to the original recordings Stumpf used in this process.
The Origins of Music is available for the first time in the English language as a result of a collaboration between the European Society for the Cognitive Sciences of Music (ESCOM) and Oxford University Press. It is a fascinating volume for all those with an interest in the history of psychology and music. It appears here in tandem with Self-Portrait,Stumpf's autobiography of 1924, in which he outlines the rich life experiences behind his research career alongside his own explanation of his scientific and cultural legacy.
Rezensionen / Stimmen
Trippett's translation has brilliantly made use of the internet ... to make many of the recordings Stumpf references in this work available online ... Should David Trippett have only translated The Origins of Music, it would have yet been an invaluable contribution to the field. However, as editor and translator, he goes above and beyond by providing two essays prior to the book, and a new translation of Stumpf's autobiography ... These materials provide a valuable frame for The Origins of Music by supplying a helpful context within which to consider Stumpf's contributions. ... the translationofStumpf's The Origins of Music is a timely and valuable addition to our scholarly literature. ... ESCOM has done the field of music cognition a wonderful service in funding a new trans- lation of an important early work. * Music Perception, July 2013 * Trippett's book transcends the role of a simple translation. This volume not only includes the first English translation of Stumpf's Origins it also includes informative notes by the editor, sound file examples, the inclusion of Stumpf's autobiographical A Self Portrait (1924), an extensive bibliography of Stumpf's publications, as well as two introductory essays. The book is a valuable resource for researchers and scholars studying Stumpf or the history of psychology, cognitive science, music psychology, ethnomusicology and musicology. One of the most valuable aspects of this volume is something not included as part of the 1911 publication of Origins of Music. Trippett includes a collection of sound files for 20 of the 67 musical examples found in Part II...These...are a goldmine. They allow us to hear what Stumpf describes and they bring us an objective piece of different musical cultures from the turn of the twentieth century. * Psychomusicology: Music, Mind & Brain, Aug 2013 * The translation under review represents a project richly worthy of Stumpf's contributions to the sciences of music, surely among them, ethnomusicology. David Trippett's translation effectively remains true to the German formulations, while producing a text that contemporary readers will find very readable (and at times quite delightful). The introductory essays, especially the one by Trippett, are very helpful. The inclusion of Stumpf's 1924 self-portrait ... brilliantly draws the reader closer to the author and his world. The Origins of Music published in this modern edition, would enrich any course in music history, music theory, cognitive musicology, and ethnomusicology. * Musicae Scientiae, September 2013 * This is a new translation, from German into English, of Carl Stumpf's work The Origins of Music from 1911... Although the book is now 100 years old, it is enjoyable to read. The argument is logical and well-founded, and the text seems in many ways very modern... What fascinates most is that the book shows how one man's painstaking study of "The psychology of tone" and "The origins of music" formed the basis for two completely new fields of research: experimental psychology and ethnomusicology. * Journal of the Norwegian Medical Association, July 2013 *
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Music psychologists and musicologists.
Maße
Höhe: 240 mm
Breite: 161 mm
Dicke: 20 mm
Gewicht
ISBN-13
978-0-19-969573-7 (9780199695737)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Carl Stumpf, (1848-1936)
Translated and Edited by David Trippett, Faculty of Music, University of Cambridge, UK
Contributors:
Helga de la Motte-Haber, Technical University Berlin, Germany
David Trippett, Faculty of Music, University of Cambridge, UK
Autor*in
, (1848-1936)
Übersetzung
Faculty of Music, University of Cambridge, UK
PART ONE: ORIGIN AND ARCHETYPES OF MUSIC MAKING; PART TWO: SONGS OF PRIMITIVE PEOPLES; SELF-DISCLOSURE
