
Intersections of Race, Class, Gender, and Nation in Fin-de-siecle Spanish Literature and Culture
Routledge (Verlag)
1. Auflage
Erschienen am 21. Mai 2019
Buch
Softcover
224 Seiten
978-0-367-34661-4 (ISBN)
Beschreibung
This volume focuses on intersections of race, class, gender, and nation in the formation of the fin-de-siecle Spanish and Spanish colonial subject. Despite the wealth of research produced on gender, social class, race, and national identity few studies have focused on how these categories interacted, frequently operating simultaneously to reveal contexts in which dominated groups were dominating and vice versa. Such revelations call into question metanarratives about the exploitation of one group by another and bring to light interlocking systems of identity formation, and consequently oppression, that are difficult to disentangle. The authors included here study this dynamic in a variety of genres and venues, namely the essay, the novel, the short story, theater, and zarzuelas. These essays cover canonical authors such as Benito Perez Galdos and Emilia Pardo Bazan, and understudied female authors such as Rosario de Acuna and Belen Sarraga. The authors included here study this dynamic in a variety of genres and venues, namely the essay, the novel, the short story, theater, and zarzuelas. The volume builds on recent scholarship on race, class, gender, and nation by focusing specifically on the intersections of these categories, and by studying this dynamic in popular culture, visual culture, and in the works of both canonical and lesser-known authors.
Weitere Details
Reihe
Sprache
Englisch
Verlagsort
London
Großbritannien
Verlagsgruppe
Taylor & Francis Ltd
Zielgruppe
Für höhere Schule und Studium
Illustrationen
10 s/w Abbildungen, 10 s/w Photographien bzw. Rasterbilder
10 Halftones, black and white; 10 Illustrations, black and white
Maße
Höhe: 234 mm
Breite: 156 mm
Dicke: 12 mm
Gewicht
348 gr
ISBN-13
978-0-367-34661-4 (9780367346614)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
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Jennifer Smith | Lisa Nalbone
Intersections of Race, Class, Gender, and Nation in Fin-de-siecle Spanish Literature and Culture
Buch
09/2016
1. Auflage
Routledge
231,50 €
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Jennifer Smith | Lisa Nalbone
Intersections of Race, Class, Gender, and Nation in Fin-de-siecle Spanish Literature and Culture
E-Book
09/2016
Routledge
65,99 €
Als Download verfügbar

Jennifer Smith | Lisa Nalbone
Intersections of Race, Class, Gender, and Nation in Fin-de-siecle Spanish Literature and Culture
E-Book
09/2016
Routledge
65,99 €
Als Download verfügbar
Personen
Jennifer Smith is Associate Professor of Spanish at Southern Illinois University Carbondale, USA.
Lisa Nalbone is Associate Professor of Spanish at the University of Central Florida, USA.
Lisa Nalbone is Associate Professor of Spanish at the University of Central Florida, USA.
Herausgeber*in
Southern Illinois University Carbondale, USA
University of Central Florida, USA
Inhalt
CONTENTS
Introduction: Intersections of Race, Class, Gender, and Nation in Fin-de-Siecle Spain
Jennifer Smith and Lisa Nalbone
PART I TRANSATLANTIC RELATIONS
1. Challenging Pasts, Exploring Futures: "Race," Gender, and Class in the Fin-de-siecle Essays of Rosario de Acuna, Concepcion Gimeno de Flaquer, and Belen Sarraga
Christine Arkinstall
2. Domesticating Cuba: Romantic Liaisons and Imperial Power in Spanish Zarzuela
Mar Soria
3. Racism in "Yankilandia": Emilia Pardo Bazan and the Global Color Line
Christy Presson Shaughnessy
PART II RACIAL RECUPERATION AND RACIAL OTHERNESS
4. Racial Identity, Social Critique, and Class Dynamics in Pardo Bazan's Una prueba-La Cristiana and El becerro de metal
Maryellen Bieder
5. Good and Bad Fusion in Emilia Pardo Bazan's El becerro de metal (1906)
Margot Versteeg
6. "Playing Japanese" in Fin-de-siecle Zarzuela
David R. George, Jr.
PART III. SPANISH NATIONAL IDENTITIES
7. The Unbearable Lightness of Being a Nation in Galdos's Early Historical Fiction
Toni Dorca
8. Realism, Fantasy, and the Gendered Trope of Colonial Relations in Galdos's Fiction
Mary Coffey
9. Rewriting Carmen in Pardo Bazan's Insolacion: Subversions of "Race," Gender, and Class
Carmen Pereira-Muro, Translation by Holly Villines
Introduction: Intersections of Race, Class, Gender, and Nation in Fin-de-Siecle Spain
Jennifer Smith and Lisa Nalbone
PART I TRANSATLANTIC RELATIONS
1. Challenging Pasts, Exploring Futures: "Race," Gender, and Class in the Fin-de-siecle Essays of Rosario de Acuna, Concepcion Gimeno de Flaquer, and Belen Sarraga
Christine Arkinstall
2. Domesticating Cuba: Romantic Liaisons and Imperial Power in Spanish Zarzuela
Mar Soria
3. Racism in "Yankilandia": Emilia Pardo Bazan and the Global Color Line
Christy Presson Shaughnessy
PART II RACIAL RECUPERATION AND RACIAL OTHERNESS
4. Racial Identity, Social Critique, and Class Dynamics in Pardo Bazan's Una prueba-La Cristiana and El becerro de metal
Maryellen Bieder
5. Good and Bad Fusion in Emilia Pardo Bazan's El becerro de metal (1906)
Margot Versteeg
6. "Playing Japanese" in Fin-de-siecle Zarzuela
David R. George, Jr.
PART III. SPANISH NATIONAL IDENTITIES
7. The Unbearable Lightness of Being a Nation in Galdos's Early Historical Fiction
Toni Dorca
8. Realism, Fantasy, and the Gendered Trope of Colonial Relations in Galdos's Fiction
Mary Coffey
9. Rewriting Carmen in Pardo Bazan's Insolacion: Subversions of "Race," Gender, and Class
Carmen Pereira-Muro, Translation by Holly Villines