Oceans under Glass

Rezensionen / Stimmen

"Muka uses the tools of both historian and sociologist . . . . following patents, mentions, and citations through scientific and hobbyist literature. She also shadows and interviews practitioners in various aquarium settings to uncover the wide array of contributors to marine-biological knowledge production and to follow that knowledge through the 'permeable boundaries' of the aquarium's various communities. The result provides a fascinating and thoughtful elucidation of the history of aquariums as an environmental technology and of public aquarists as 'knowledge couriers' between communities." * Science * "Despite their familiarity and apparent simplicity, aquariums are complex tools developed through the collaboration of academics, hobbyists, public aquarium employees, and researchers for commercial enterprises. Muka uses the term "tank craft" for the effort of this diverse, diffuse community, where credentials range from graduate degrees to deep personal experience and communication takes many forms, from professional journals to in-person conversations . . . Recommended." * Choice * "An accessible and engaging work, Oceans under Glass offers a valuable contribution to the history of ocean science . . . Muka's book is an essential resource for anyone interested in how networks of collaboration and communication extend and promote craft knowledge. And it offers a valuable contribution to 'blue humanities' scholarship, exemplifying how an interdisciplinary approach bolsters our understanding of humanity's ever-changing relationship with the ocean." * Isis * "Oceans Under Glass will make you look differently at marine institutions and their history and recognize the networks of hobbyists and technicians essential to enabling marine science. Muka raises questions about how we know what we think we know, and her work will strongly appeal to aquarium experts and hobbyists and environmental historians." * Technology and Culture * "Muka not only tells us how tank technologies evolved over time in a way that engages with diverse groups and resists a linear narrative or standardization, but also shows how knowledge about marine organisms and views about the ocean were transformed in the processes of making the ocean captive. The resulting intellectual product is partly history of technology
and partly history of marine science, integrated through unique, often game-changing perspectives gained through following the trajectories of specific tanks." * Journal of the History of Biology * "Oceans under Glass is a masterful little book that invites readers into the world of aquariums (both big and small) to show how knowledge-sharing networks of tinkering aquarists are essential parts of how we've come to know and understand the sea and the life within it. . . . To describe Oceans under Glass as engaging doesn't do it justice; it's enchanting, it's funny, and it's a book that makes you think and hope." * H-Oceans * "In lively prose that shifts fluidly from fieldwork stories to detailed technical descriptions, Muka describes how diverse historical actors have sought to balance the aquarium's sometimes conflicting purposes as both habitat and visual technology. Throughout the book, Muka argues persuasively that looking carefully at aquariums, rather than simply seeing through them, draws our past and present relationships with the ocean into greater focus." * H-Sci-Med-Tech * "Muka's analysis of the aquarium offers broad, crucial insights into how models are built and used-issues central not only to the history of science, but also to philosophy and visual studies." * H-Environment * "Wide-ranging and engagingly written. . . an excellent guide to how aquaria came to be, what they are and what they might come to be." * Ocean Yearbook * "At long last, a book dedicated to the nonstandard art of tinkering with oceans. Skillfully moving from one tank type to the next, Oceans under Glass traces the multiple networks, disciplines, and methods involved in producing situated knowledges about marine life. No wonder, then, that author Samantha Muka is herself brilliantly adept in the art of tinkering. Engaging a variety of methodologies, from ethnography to archival research, and working across multiple disciplines, including science and technology studies and biological and environmental history, Muka sketches a loving bricolage of tank crafters and their work in shaping future oceans. Kudos to Muka, and kudos also to the University of Chicago Press for putting out a much-needed interdisciplinary series on oceans."
-- Irus Braverman, author of Coral Whisperers: Scientists on the Brink "In Oceans under Glass, Muka reveals in vivid and loving detail how the 'tank craft' of aquarium keepers has illuminated life under the ocean's surface, while she also celebrates the diverse network of aquarists, past and present, who have developed that craft. She shows how these little-known technical tinkerers, caregivers to delicate marine organisms, hobbyists, and professional researchers have shared their hard-won fingertip knowledge across social divides in order to make aquariums habitable for their denizens and gain knowledge otherwise inaccessible to us land dwellers. The project innovatively brings together historical, technical, ethnographic, and sociological information and analysis to point to the fundamental importance of aquarium craft to our understanding of life in the ocean, which is ultimately essential to save it from human-caused destruction. The message is important and timely, the book a promising launch for Chicago's new Oceans in Depthseries." -- Lynn K. Nyhart, University of Wisconsin-Madison "Samantha Muka's lively and thoughtful account of twentieth-century aquaria teaches us about everything from 'tank craft' maker culture to the politics of ocean simulations. Bring your childhood field trip memories and leave with a richer historical appreciation of the tinkering, the unlikely collaborations, and the artistic and scientific visions and tensions necessary to put marine life convincingly and usefully under glass." -- Karen Rader, Virginia Commonwealth University