British Historical Cinema
1. Auflage
Erschienen am 14. Februar 2002
Buch
Softcover
288 Seiten
978-0-415-23810-6 (ISBN)
Beschreibung
Films recreating or addressing 'the past' - recent or distant, actual or imagined - have been a mainstay of British cinema since the silent era. From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, British Historical Cinema explores the ways in which British films have represented the past on screen, the issues they raise and the debates they have provoked. Discussing films from biopics to literary adaptations, and from depictions of Britain's colonial past to the re-imagining of recent decades in retro films such as Velvet Goldmine, a range of contributors ask whose history is being represented, from whose perspective, and why.
Weitere Details
Reihe
Sprache
Englisch
Verlagsort
London
Großbritannien
Verlagsgruppe
Taylor & Francis Ltd
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Postgraduate
Maße
Höhe: 234 mm
Breite: 156 mm
Dicke: 16 mm
Gewicht
442 gr
ISBN-13
978-0-415-23810-6 (9780415238106)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Weitere Ausgaben
Andere Ausgaben
Claire Monk | Amy Sargeant
British Historical Cinema
E-Book
01/2015
1. Auflage
Routledge
51,49 €
Als Download verfügbar
Claire Monk | Amy Sargeant
British Historical Cinema
E-Book
01/2015
1. Auflage
Routledge
51,49 €
Als Download verfügbar
Claire Monk | Amy Sargeant
British Historical Cinema
Buch
02/2002
1. Auflage
Routledge
222,71 €
Artikel z.Zt. nicht lieferbar
Personen
Claire Monk is Lecturer in Media Studies at DeMontfort University. Amy Sargeant is Lecturer in History of Film and Visual Media at Birkbeck College, University of London.
Inhalt
Do we need another hero? Ecce Homo and Nelson (1919) - Amy Sargeant 3. Death or glory? The Great War in British Film - Alan Burton 4. Secrets and lies: black histories and British historical films - Stephen Bourne 5. 'If the world does not please you, you can change it': The History of Mr Polly (1949) and The Card (1952) - Tim O'Sullivan 6. Cinema, monarchy and the making of heritage: A Queen is Crowned (1953) - James Chapman 7. Camping on the borders: history, identity and Britishness in the Carry On costume parodies, 1963-74 - Nicholas J. Cull 8. Monkey feathers: defending Zulu (1964) - Sheldon Hall 9. Ireland, the past and British cinema: Ryan's Daughter (1970) - Fidelma Farley 10. Imperial migrations: reading the Raj cinema of the 1980s - T. Muraleedharan 11. Kenneth Branagh's Henry V (1989) : genre and interpretation - James Quinn and Jane Kingsley-Smith 12. The British heritage-film debate revisited - Claire Monk 13. The content and the form: invoking 'pastness' in three recent retro films - Amy Sargeant 14. Taking liberties with the monarch: the royal bio-pic in the 1990s - Kara McKechnie