
Digital Audio Editing
Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One
Simon Langford(Autor*in)
Routledge (Verlag)
1. Auflage
Erschienen am 29. August 2017
Buch
Hardcover
336 Seiten
978-1-138-46888-7 (ISBN)
Beschreibung
Whether you're comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production. Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You'll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks. Author Simon Langford invites you to see editing with his wide-angle view, putting this skill into a broad context that will inform your choices even as you more skillfully manipulate sound. Focusing on techniques applicable to any digital audio workstation, it includes break-outs giving specific keystrokes and instruction in Avids Pro Tools, Apple's Logic Pro, Steinberg's Cubase, and PreSonus's Studio One. The companion websites includes tutorials in all four software packages to help you immediately apply the broad skills from the book.
Weitere Details
Sprache
Englisch
Verlagsort
London
Großbritannien
Verlagsgruppe
Taylor & Francis Ltd
Zielgruppe
Für Beruf und Forschung
Professional and Professional Practice & Development
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
Maße
Höhe: 198 mm
Breite: 241 mm
Dicke: 25 mm
Gewicht
780 gr
ISBN-13
978-1-138-46888-7 (9781138468887)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
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Simon Langford
Digital Audio Editing
Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One
Buch
10/2013
1. Auflage
Routledge
56,00 €
Versand in 15-20 Tagen

Simon Langford
Digital Audio Editing
Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One
E-Book
10/2013
1. Auflage
Routledge
59,49 €
Als Download verfügbar

Simon Langford
Digital Audio Editing
Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One
E-Book
10/2013
1. Auflage
Routledge
58,99 €
Als Download verfügbar
Person
Simon Langford is a professional music producer and remixer, with close to ten years of experience. He has worked on over 300 remixes, and has had tracks of his own in the UK National Top 20 Single Chart and the US Billboard Dance Chart. Simon is a regular contributor to Sound On Sound magazine and the author of The Remix Manual (Focal Press).
Inhalt
What exactly is audio editing?
Chapter One: Audio Editing 101
Chapter Two: The Different Aims Of Audio Editing
Section One: Corrective Editing
Chapter Three: Cutting, Copying, Pasting and Moving
Chapter Four: Fades and Crossfades
Chapter Five: Level Control
Chapter Six: Tonal Matching
Chapter Seven: Comping and Alternate Takes
Chapter Eight: Multi-track Comping
Chapter Nine: Transient Detection
Section Two: Creative Editing
Chapter Ten: Beat-mapping and Recycling
Chapter Eleven: Drum Replacement
Chapter Twelve: Time-stretching
Chapter Thirteen: Elastic Audio (Time)
Chapter Fourteen: Pitch Shifting
-Section Three: Restorative Editing
Chapter Fifteen: Editing In The Third Dimension
Chapter Sixteen: Spectral Editing
Chapter Seventeen: Applications of Audio Restoration
Chapter Eighteen: Demixing
Chapter Nineteen: Thinking Outside The Box
Chapter One: Audio Editing 101
Chapter Two: The Different Aims Of Audio Editing
Section One: Corrective Editing
Chapter Three: Cutting, Copying, Pasting and Moving
Chapter Four: Fades and Crossfades
Chapter Five: Level Control
Chapter Six: Tonal Matching
Chapter Seven: Comping and Alternate Takes
Chapter Eight: Multi-track Comping
Chapter Nine: Transient Detection
Section Two: Creative Editing
Chapter Ten: Beat-mapping and Recycling
Chapter Eleven: Drum Replacement
Chapter Twelve: Time-stretching
Chapter Thirteen: Elastic Audio (Time)
Chapter Fourteen: Pitch Shifting
-Section Three: Restorative Editing
Chapter Fifteen: Editing In The Third Dimension
Chapter Sixteen: Spectral Editing
Chapter Seventeen: Applications of Audio Restoration
Chapter Eighteen: Demixing
Chapter Nineteen: Thinking Outside The Box