The Abject of Desire approaches the aestheticization of the unaesthetic via a range of different topics and genres in twentieth-century Anglophone literature and culture. The "experience of disgust", which Winfried Menninghaus describes as "an acute crisis of self-preservation", is correlated with conceptualizations of gender in theories of the abject/abjection. In view of this general crisis of identity in the experience of disgust, the contributions to this volume discuss examples of the aestheticization of the unaesthetic in cultural representations and locate conceptual (re)codings of the body, gender, and identity with regard to the abject as an immediate and uncompromising experience on the one hand, and a social and political phenomenon on the other. Considering a variety of cultural narratives by writers as diverse as Samuel Delany, Sarah Schulman, Joyce Carol Oates, Leslie Marmon Silko, Paul Magrs, J. G. Ballard, Stevie Smith, T. C. Boyle, Joseph Conrad, Poppy Z. Brite, and Will Self, by film directors John Waters and Peter Greenaway, playwrights Girish Karnad and Mahesh Dattani, and "body artist" Gunter von Hagens, the contributors to this volume scrutinize different implications of the ambivalent concept of the abject/abjection.
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Sprache
Verlagsort
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Maße
Höhe: 220 mm
Breite: 150 mm
Gewicht
ISBN-13
978-90-420-2264-5 (9789042022645)
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Schweitzer Klassifikation
Konstanze KUTZBACH and Monika MUELLER: Introduction
Hanjo BERRESSEM: On the Matter of Abjection
Paulina PALMER: Queer Transformations: Renegotiating the Abject in Contemporary Anglo-American Lesbian Fiction
Nilufer BHARUCHA: The Bhibhitsa Rasa in Anglophone Indian Cultural Discourse: The Repugnant and Distasteful at the Level of Gender, Race, and Caste
Susana ARAUJO: The Gothic-Grotesque of Haunted: Joyce Carol Oates's Tales of Abjection
Dorothea FISCHER-HORNUNG: "Now we know that gay men are just men after all": Abject Sexualities in Leslie Marmon Silko's Almanac of the Dead
Tatjana PAVLOV: Consuming the Body: Literal and Metaphorical Cannibalism in Peter Greenaway's Films
Andrea GUTENBERG: Shape-Shifters from the Wilderness: Werewolves Roaming the Twentieth Century
Konstanze KUTZBACH: The Two-..., One-..., None-Sex Model: The Flesh(-)Made Machine in Herman Melville's "The Paradise of Bachelors and the Tartarus of Maids" and J. G. Ballard's Crash
Ruth BAUMERT: Fear, Melancholy, and Loss in the Poetry of Stevie Smith
Sylvia MAYER: American Environmentalism and Encounters with the Abject: T. Coraghessan Boyle's A Friend of the Earth
Russell WEST: Abject Cannibalism: Anthropophagic Poetics in Conrad, White, and Tennant - Towards a Critique of Julia Kristeva's Theory of Abjection
Monika MUELLER: "A Wet Festival of Scarlet": Poppy Z. Brite's (Un)Aesthetics of Murder
Alison GOELLER: Interior Landscapes: Anatomy Art and the Work of Gunther von Hagens
Frank LAY: Violence, Transgression, and the Fun Factor: The Imagined Atrocities of Will Self's My Idea of Fun
Notes on Contributors
