A comprehensive catalogue of late gothic and early renaissance German sculpture from the collection at the Victoria and Albert Museum - probably the largest outside Germany. It covers works ranging from 1430 to 1540 in a variety of materials (wood, stone, terracotta and bronze), and also discusses the issue of 19th-century fakes and historicist pieces. The sculptures originate from many different German-speaking regions: from North Germany to the South Tyrol, and from the Lower Rhine to Thuringia and Saxony, as well as from Austria and Alsace. They range from small-scale, finely carved boxwood statuettes to ambitious polychrome altarpieces, from fine limestone figures and reliefs to rare bronzes, all reflecting in different ways the historical and cultural contexts of later medieval and early renaissance art. Works of celebrated sculptors such as Hans Daucher, Michel and Gregor Erhart, Tilm an Riemenschneider and Veit Stoss are fully illustrated and discussed in detail.
The introduction gives a short history of the formation of the Victoria and Albert's celebrated collection of German sculpture, and provides a brief overview of the subject, while the catalogue itself includes many works never published before, and throws new light on the collection as a whole. The book should be of specific interest to collectors, dealers and sculpture students.
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für Beruf und Forschung
Für höhere Schule und Studium
Illustrationen
137 illustrations, (8 colour )
Maße
Höhe: 280 mm
Breite: 210 mm
Dicke: 18 mm
Gewicht
ISBN-13
978-1-85177-360-2 (9781851773602)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Klassifikation
Norbert Jopek is assistant curator in the Department of Sculpture at the Victoria and Albert Museum. He joined the Museum in 1992, having been previously employed at the Amt fur Denkmalpflege and the Cathedral Treasury in Trier. His publications include Studien zur deutschen Alabasterplastik des 15. Jahrhunderts (Worms. 1988), and as co-editor, Schatzkunst Trier (Trier, 1984).