City/Stage/Globe

Rezensionen / Stimmen

"The book uses an interdisciplinary methodology to examine the ways in which London as urban space underwent a reconceptualization as it moved from medieval town to early modern city.

[Hopkins] brilliantly traces the mixed and gradual evolution of postmedieval maps, itineraries, and map images to illustrate the different ways in which visual representations of space and topography performed the city." --Ric Knowles (University of Guelph), Theatre Journal

"[T]he book's greatest contribution lies in its methodology. Part of Routledge's series on "Literary Criticism and Cultural Theory," City/Stage/Globe brings a profound investment in performance theories and practices to the study of literary London."

"Though the immediate audience of may be scholars of performance in Shakespeare's London, Hopkins's model of a performance genealogy of space constitutes a significant contribution to the study of performance beyond the early modern period or England." --Marissa Greenberg (University of New Mexico), Shakespeare Bulletin