Why do similar patterns and forms appear in nature in settings that seem to bear no relation to one another? The windblown ripples of desert sand follow a sinuous course that resembles the stripes of a zebra or a marine fish. In the trellis-like shells of microscopic sea creatures we see the same angles and intersections as for bubble walls in a foam. The forks of lightning mirror the branches of a river or a tree. This book explains why these are no coincidences. Nature commonly weaves its tapestry by self-organization, employing no master plan or blueprint but by simple, local interactions between its component parts - be they grains of sand, diffusing molecules or living cells. And the products of self- organization are typically universal patterns: spirals, spots, and stripes, branches, honeycombs. This book explains, in non-technical language, and with profuse illustrations, how nature's patterns are made.
Rezensionen / Stimmen
Philip Ball has produced a superb book... countless examples give rise to fascinating reflections on the astounding order that exists amid chaos. Lavishly illustrated, this is a stunning book. John Cornwell, The Sunday Times, 29/11/98 Sand slides into neat heaps, a shell spirals into a delectable curve... How do these things get themselves in order? Philip Ball has some answers... Ball convincingly argues for some simple general principles. Per Bak, New Scientist, 12/12/98
Sprache
Verlagsort
Zielgruppe
Illustrationen
24 plates, numerous halftones and line figures
Maße
Höhe: 247 mm
Breite: 189 mm
Dicke: 18 mm
Gewicht
ISBN-13
978-0-19-850243-2 (9780198502432)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Philip Ball is an editor at Nature magazine.
Foreward ; Preface ; 1. Patterns ; 2. Bubbles ; 3. Waves ; 4. Bodies ; 5. Branches ; 6. Breakdowns ; 7. Fluids ; 8. Grains ; 9. Communities ; 10. Principles ; Appendices ; Bibliography