This work attempts a psychoanalytic listening to the 'oral' Homeric epics in an effort to extract, as it were, from the ancient text certain elements of psychoanalytic understanding that are of relevance to contemporary psychoanalysis. There is, in addition, a consideration of related philosophical and linguistic issues that are linked to the basic psychoanalytic concepts that emerge from such a listening.
The main themes treated rotate around the central axis of time as it is expressed in the Homeric epics. Thus, questions of transition, loss, mourning, tolerance, identity, metaphor and tragic fragmentation are addressed as they relate to the ancient text. The process of metabasis along contrasting psychic states of being is discussed as it provides the frame for the construction of the basic interval of time and of the flux of human identity.
Although psychoanalysis from its early beginnings has shown - largely owing to Freud's positing the Oedipus complex as the nuclear conflict - a distinct interest in classical Antiquity, the area of the great Homeric Epics has been singularly neglected as a chosen focus of psychoanalytic attention. It is as if the Homeric Epics belonged to a prehistoric pre-oedipal world which, for a long time, was not the dominant concern of psychoanalysis. The merit of this book lies in the fact that it fills part of this lacuna in psychoanalytic studies.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Maße
Höhe: 231 mm
Breite: 152 mm
Dicke: 8 mm
Gewicht
ISBN-13
978-90-420-3927-8 (9789042039278)
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Schweitzer Klassifikation
Konstantinos I. Arvanitakis is training and supervising analyst of the Canadian Psychoanalytic Society and Institute, Professor of psychoanalysis and philosophy at McGill University, in Montreal, as well as Emeritus Psychiatrist at the McGill University Health Centre. He has published extensively in the area of clinical psychoanalysis, with a special interest in the psychoanalysis of severely disturbed individuals, but has also turned his attention to psychoanalysis and theater, and, in particular, to the psychoanalytic study of tragedy and of the tragic.
Prologue
One. From Wrath to Truth
Two. Homer's Theory of Poetry: Psychoanalytic Notes on the Primal Metaphor
Three. The Return of Odysseus: Questions of Time, Space, and Creative Discovery
Four. The Other Journey: Nekyia
Five. The Tragic in the Iliad
Epilogue: ?? ??????
Bibliography