
Distributed Cognition in Victorian Culture and Modernism
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Content
- Intro
- Distributed Cognition in Victorian Culture and Modernism
- Copyright
- Contents
- List of Illustrations
- Series Preface
- Plates
- 1 Distributed Cognition and the Humanities
- 2 Introduction
- 3 The Victorian Extended Mind: George Eliot, Psychology and the Bounds of Cognition
- 4 Instrumental Eyes: Enacted and Interactive Perception in Victorian Optical Technologies and Victorian Fiction
- 5 Aesthetic Perception and Embodied Cognition: Art and Literature at the Fin de Siècle
- 6 The Heterocosmic Self: Analogy, Temporality and Structural Couplings in Proust's Swann's Way
- 7 Distributed Cognition and the Phenomenology of Modernist Painting and Poetry (Rilke and Cézanne)
- 8 Directionality and Duration in Distributed Consciousness: Modernist Perspectives on Photographic Objectivity
- 9 Walking, Identity and Visual Perception in Romantic and Modernist Literature
- 10 Surrealism, Chance and the Extended Mind
- 11 Distributed Cognition, Porous Qualia and Modernist Narrative
- 12 Nietzsche's Genealogie der Moral Pro and Contra Distributed Cognition
- 13 A 5th E: Distributed Cognition and the Question of Ethics in Benjamin and Vygotsky, and Horkheimer and Dewey
- Notes on Contributors
- Bibliography
- Index
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