The Enterprising Musician's Guide to Performer Contracts
1st Edition
Published on 1. November 2017
204 pages
978-1-5381-0677-8 (ISBN)
Description
The Enterprising Musician's Guide to Performer Contracts is an empowering resource that provides detailed, plain-language explanations of the clauses commonly found in legal agreements such as engagement (gig) contracts, artist-management contracts, and producer agreements. Musicians from all musical styles will be able to decipher contracts offered to them and improve terms to their benefit. In clear detail, David Williams dissects the most common clauses in performer contracts, revealing how to avoid pitfalls and properly amend content to address each musician's needs.
Seasoned performers, emerging artists, and music students of all levels will find this handy volume an invaluable compendium of conflict-free guidance as they navigate their careers in the music industry.
Seasoned performers, emerging artists, and music students of all levels will find this handy volume an invaluable compendium of conflict-free guidance as they navigate their careers in the music industry.
More details
Edition
1. Auflage
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing Plc
Illustrations
50 textboxes
ISBN-13
978-1-5381-0677-8 (9781538106778)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
David R. Williams
The Enterprising Musician's Guide to Performer Contracts
Book
11/2017
Rowman & Littlefield Publishers
€123.20
Shipment within 3-4 weeks
David R. Williams
The Enterprising Musician's Guide to Performer Contracts
Book
11/2017
Rowman & Littlefield Publishers
€59.30
Shipment within 3-4 weeks
Persons
David R. Williams, founding principal of Enterprising Artist Consulting, is a former professional musician with a doctorate in music and in law. An active guest lecturer, he has delivered talks on music industry law at Yale University, Tanglewood, Manhattan School of Music, New England Conservatory, and the University of Wisconsin-Madison, among others. He is a faculty member at the College of Performing Arts at The New School in New York City. For more information, visit https://theenterprisingmusician.com/
Content
Foreword - Stephanie Blythe
Introduction
PART I: CONTRACT LAW AND THE AMERICAN LEGAL SYSTEM
Chapter One-A Brief Overview of the American Legal System
Chapter Two-Contract Basics
Chapter Three-Breach of Contract (When Things Go Wrong)
PART II: THE NUTS & BOLTS OF CONTRACT INTERPRETATION
Chapter Four-Interpreting Contract Language: 8 Tips for Getting Started
Chapter Five-Clauses Commonly Found in Musicians' Contracts
Chapter Six-A Step-by-Step Guide for Analyzing Your Contracts
PART III: PERFORMERS' CONTRACTS
Chapter Seven-Musicians' Engagement ("gig") Contracts
Chapter Eight-Personal Representation
PART IV: RESOURCES
Chapter Nine-Self Help
Index
Introduction
PART I: CONTRACT LAW AND THE AMERICAN LEGAL SYSTEM
Chapter One-A Brief Overview of the American Legal System
Chapter Two-Contract Basics
Chapter Three-Breach of Contract (When Things Go Wrong)
PART II: THE NUTS & BOLTS OF CONTRACT INTERPRETATION
Chapter Four-Interpreting Contract Language: 8 Tips for Getting Started
Chapter Five-Clauses Commonly Found in Musicians' Contracts
Chapter Six-A Step-by-Step Guide for Analyzing Your Contracts
PART III: PERFORMERS' CONTRACTS
Chapter Seven-Musicians' Engagement ("gig") Contracts
Chapter Eight-Personal Representation
PART IV: RESOURCES
Chapter Nine-Self Help
Index
