
German #MeToo
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Content
- Front Cover
- Contents
- Illustrations
- Introduction
- Part I Histories
- 1: Eighteenth-Century #MeToo: Rape Culture and Victim-Blaming in Heinrich Leopold Wagner's Die Ki
- 2: #MeToo: Prostitution and the Syntax of Sexuality around 1800
- Part II Dialogues across Time
- 3: "Immaculate" Conception, the "Romance of Rape," and #MeToo: Kleistian Echoes in Kerstin Hensel an
- 4: Female Sacrifice, Sexual Assault, and Dehumanization: Bourgeois Tragedy, Horror, and the Making o
- 5: "Na, wenn du mich erst fragst?": Reconsidering Affirmative Consent with Schnitzler, Schnitt, Habe
- Part III Sexual Violence, Warfare, and Genocide
- 6: War of the Vulva: The Women of Otto Dix's Lustmord Series
- 7: Death to the Patriarchal Theater! Charlotte Salomon's Graphic Testimony
- 8: #MeToo and Wartime Rape: Looking Back and Moving Forward
- Part IV The Institutions of #MeToo
- 9: Boarding-School Novels around 1900: The Relation of Male Fear of Women to Male-Male Seduction an
- 10: Breaking the Silence about Sexualized Violence in Lilly Axtser's and Beate Teresa Hanika's Young
- 11: "Eine gigantische Vergewaltigung": Rape as Subject in Roger Fritz's Mädchen mit Gewalt (1970)
- 12: Elfriede Jelinek and Ingeborg Bachmann: Transformations of the Capitalist Patriarchy and Narrat
- 13: Staging Consent and Threatened Masculinity: The Debate on #MeToo in Contemporary German Theater
- Part V. #MeToo across Cultural and National Borders
- 14: Patriarchy, Male Violence, and Disadvantaged Women: Representations of Muslims in the Crime Tele
- 15: Fatih Akin's Head On: Challenging Mythologies of German Social Work
- 16: Is a Prostitute Rapeable? Teresa Ruiz Rosas's Novel Nada que declarar in Dialogue with #MeToo
- Contributors
- Index
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