
Food, Feminisms, Rhetorics
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Content
- Cover Page
- Title Page
- Copyright Page
- Contents
- Acknowledgments
- Preparation and Ingredients: An Introduction to Food, Feminisms, Rhetorics
- Part I. Purposeful Cooking: Recipes for Historiography, Thrift, and Peace
- 1. Writing Recipes, Telling Histories: Cookbooks as Feminist Historiography
- 2. The Embodied Rhetoric of Recipes
- 3. Understanding the Significance of "Kitchen Thrift" in Prescriptive Texts about Food
- 4. Promoting Peace, Subverting Domesticity: Cookbooks against War, 1968-83
- Part II. Defining Feminist Food Writing
- 5. The Meaning of a Meal: M. F. K. Fisher and Gastronomical Kairos
- 6. Feminist Culinary Autobiographies: Batterie de Cuisine to Peaceable Kingdom
- 7. From Street Food to Digital Kitchens: Toward a Feminist Rhetoric of Culinary Tourism (or, How Not to Devour Paris and Eat Your Way through Asia)
- Part III. Rhetorical Representations of Food-Related Practices
- 8. Not Your Father's Family Farm: Toward Transformative Rhetorics of Food and Agriculture
- 9. Baklava as Home: Exile and Arab Cooking in Diana Abu-Jaber's Novel Crescent
- 10. Feeling Good and Eating Well: Race, Gender, and Affect in Ruth Ozeki's My Year of Meats
- 11. Sugar and Spice: Cooking with the Girl Poisoner
- 12. Boxed Wine Feminisms: The Rhetoric of Women's Wine Drinking in The Good Wife
- Part IV. Rhetorical Representations of Bodies and Cultures
- 13. The Commodification of Mexican Women on Mexican Food Packaging
- 14. Feeding the Self: Representations of Nourishment and Female Bodies in Holocaust Art
- 15. Evolving Ana: Inviting Recovery
- 16. Reconstructing the Female Food-Body: Profanity, Purity, and the Bakhtinian Grotesque in Skinny Bitch
- 17. Gusto and Grace: Two Fat Ladies and the Rhetorical Construction of a Fat Culinary Ethos
- 18. Deconstructing the Plus-Size Female Sleuth: Fat Positive Discourse, Rhetorical Excess, and Cultural Constructions of Femininity in Cozy Crime Fiction
- Contributors
- Index
- Back Cover
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