Music Business: The Key Concepts
1st Edition
Published on 11. September 2009
208 pages
978-1-135-84519-3 (ISBN)
Description
Music Business: The Key Concepts is a comprehensive guide to the terminology commonly used in the music business today. It embraces definitions from a number of relevant fields, including:
general business
marketing
e-commerce
intellectual property law
economics
entrepreneurship
In an accessible A-Z format and fully cross-referenced throughout, this book is essential reading for music business students as well as those interested in the music industry.
general business
marketing
e-commerce
intellectual property law
economics
entrepreneurship
In an accessible A-Z format and fully cross-referenced throughout, this book is essential reading for music business students as well as those interested in the music industry.
Reviews / Votes
'This comprehensive, up-to-date book provides brief (paragraph length) descriptions of key concepts in the music business... a handy reference book for anyone involved or interested in the business aspect of the music industry, especially lawyers interested in the legal side of the entertainment field.' - R. J. Phillips, Colorado State University, USA "it is a handy reference book for anyone involved or interested in the business aspect of the music industry..." -CHOICEMore details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
ISBN-13
978-1-135-84519-3 (9781135845193)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Richard Strasser
Music Business: The Key Concepts
Book
08/2009
1st Edition
Routledge
€57.19
Article exhausted; check for reprint
Richard Strasser
Music Business: The Key Concepts
Book
08/2009
1st Edition
Routledge
€163.68
Article exhausted; check for reprint
Person
Richard Strasser is Assistant Professor in the Department of Music at Northeastern University. He has written several articles on the music business and is co-author with John Shirley of The Savvy Studio Owner (2005).
Content
Advance; Advertising; Agent; Airplay; Audio Engineer; Black Box Income; Buenos Aires Convention; Controlled Composition; Copyright; Cross Collateralization; Demo; Distribution; Federal Trade Commission (FTC); Four Walling; Interpolation; Minimum Advertised Price (MAP); Ofcom; Peer-to-Peer Network (P2P); Piracy; Royalty; SoundScan; Statutory Rate
