
Screenwriting for Profit
Description
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Reviews / Votes
"Andrew Stevens is responsible for the careers of many new writers, producers and directors."-Roger Corman, Oscar-winner, Legendary Independent Filmmaker/Producer
"Andrew's work is fantastic!"
-Jackie Collins, The New York Times Bestselling Novelist
"Screenwriting for Profit navigates through all the pitfalls a writer will experience in trying to sell their screenplay and takes the writer beyond the computer screen and into the real world of getting a script sold. Even the greatest script is worthless unless it has the potential to get made. Andrew lays out from idea to conception his insider knowledge that will help a writer go from novice to professional. Before a writer takes their first meeting, they should give Screenwriting for Profit a read."
-Peter M. Lenkov, Emmy Nominee, Writer/Executive Producer: Salvation, Hawaii Five-0, R.I.P.D., MacGyver, CSI: NY
"Great! It is different than other books that focus on the writer's process. I love that this book captures a salty, wise, practical tone, and it feels very refreshing. Chapter 15 alone is reason enough to buy this book and reason to recommend it to writers. I certainly wish I had read this before I headed to my first film market. I really enjoyed this work and I recommend it."
-Noah Workman, Partner, Iris MediaWorks
"A fantastic job! Andrew Stevens nailed it!"
-Richard Christian Matheson, Author/Producer: The A-Team, It Waits, Three O'Clock High
"Andrew's book is a valuable resource for any writer. I very much enjoyed the book and would have killed to have a resource like it when I was first starting out - it would have saved me a lot of time. There are lessons on story, structure, character and craft. In addition, the business - the business of writing and the business itself - is demystified in a way that pretty much draws a map from being a hobbyist to becoming a professional."
-Sean McGinly, Academy Nicholl Fellowships in Screenwriting semifinalist, Writer/Director: The Great Buck Howard
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Person
Content
Prologue
Chapter 1: Critical Criteria Before Determining Your Subject Matter
Chapter 2: The Independent Film and Television Alliance and the American Film Market: Services and Opportunities that Benefit Screenwriters
Chapter 3: The Cannes Film Market and Festival
Chapter 4: Writing for the Marketplace
Chapter 5: Building a Career - Everyone Starts Somewhere
Chapter 6: Historical Context of the Recent Evolution of Media Gives Writers Perspective
Chapter 7: Screenplay Structure and Components
Chapter 8: Inspiration, Sequels, Remakes and Re-boots
Chapter 9: Character Development from Actor's Perspective
Chapter 10: Screenwriters Perspective
Chapter 11: A Director's Perspective
Chapter 12: A Producer's Perspective
Chapter 13: Writing for Cost Effective Budgets
Chapter 14: Financing
Chapter 15: Writing is a Team Sport
Chapter 16: Studio Due Diligence: How the Big Boys Cater to the Little Boys
Chapter 17: New Media - New Model - As Significant as the Majors
Chapter 18: Non-Union vs Union Writers
Chapter 19: Writers Protections
Chapter 20: Non-Disclosure, Non-Circumvention and Confidentiality Agreements
Chapter 21: Screenplay Submissions
Chapter 22: The Pitch
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