
Laughing Matters
Description
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The authors cover silent cinema comedy including Chaplin, Lloyd and Keaton, sound film comedies including the Marx Brothers and Laurel and Hardy, Romantic film comedy, radio, television situation and sketch comedy, comedy and genre (including parody and spoof), animations from cartoons to CGI, issues of gender and sexuality from drag comedy to queer reading, issues of taste and humour from Carry On to contemporary 'gross-out' , and issues of race and ethnicity including a case study of African-American screen comedy. Numerous opportunities for following up are highlighted and advice on further reading, writing academically about comedy and an extensive bibliography add to the value of this textbook. -- .
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Persons
Glyn White is Lecturer in Twentieth Century Literature and Culture at the University of Salford -- .
Content
Acknowledgements
Introduction
Part I: Comedy forms
1 Silent film comedy
2 Early sound film comedy
3 The romantic comedy film
4 Radio comedy
5 Television comedy
6 Comedy and genre boundaries
7 Animated comedy
Part II: Themes, effects and impact of comedy
8 Comedy, gender and sexuality
9 Comedy and cultural value: from bad taste to gross-out
10 Comedy, race and ethnicity
Conclusion: 'You had to be there'
Appendix
Bibliography
Index -- .
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Copy protection: Watermark-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use the free software Adobe Reader, Adobe Digital Editions, or any other PDF viewer of your choice (see eBook Help).
- Tablet/Smartphone (Android; iOS): Install the free app Adobe Digital Editions or another reading app for eBooks, e.g., PocketBook (see eBook Help).
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The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
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