
Laughing Matters
Understanding Film, Television and Radio Comedy
Manchester University Press
Published on 7. December 2012
Book
Paperback/Softback
288 pages
978-0-7190-8315-0 (ISBN)
Description
Laughing Matters takes an analytic approach to film, television and radio comedy and provides an accessible overview of its forms and contexts. The introduction explains the value of studying comedy, concisely outlines the approach taken and summarises the relevant theories. The subsequent chapters are divided into two parts. The first part examines the specific forms comedy has taken as a constant and key element in film and broadcast comedy from their origins to the present. The second part shows how the genre gravitates towards contentious issues in British and American culture as it finds humour in the boundaries of class, gender, sexuality, race and logic.
The authors cover silent cinema comedy including Chaplin, Lloyd and Keaton, sound film comedies including the Marx Brothers and Laurel and Hardy, Romantic film comedy, radio, television situation and sketch comedy, comedy and genre (including parody and spoof), animations from cartoons to CGI, issues of gender and sexuality from drag comedy to queer reading, issues of taste and humour from Carry On to contemporary 'gross-out' , and issues of race and ethnicity including a case study of African-American screen comedy. Numerous opportunities for following up are highlighted and advice on further reading, writing academically about comedy and an extensive bibliography add to the value of this textbook. -- .
The authors cover silent cinema comedy including Chaplin, Lloyd and Keaton, sound film comedies including the Marx Brothers and Laurel and Hardy, Romantic film comedy, radio, television situation and sketch comedy, comedy and genre (including parody and spoof), animations from cartoons to CGI, issues of gender and sexuality from drag comedy to queer reading, issues of taste and humour from Carry On to contemporary 'gross-out' , and issues of race and ethnicity including a case study of African-American screen comedy. Numerous opportunities for following up are highlighted and advice on further reading, writing academically about comedy and an extensive bibliography add to the value of this textbook. -- .
More details
Language
English
Place of publication
Manchester
United Kingdom
Target group
College/higher education
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
Illustrations, black & white
Dimensions
Height: 236 mm
Width: 152 mm
Thickness: 23 mm
Weight
476 gr
ISBN-13
978-0-7190-8315-0 (9780719083150)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
10/2017
1st Edition
Manchester University Press
from
€40.99
Available for download
Persons
John Mundy is
Glyn White is Lecturer in Twentieth Century Literature and Culture at the University of Salford -- .
Glyn White is Lecturer in Twentieth Century Literature and Culture at the University of Salford -- .
Content
List of illustrations
Acknowledgements
Introduction
Part I: Comedy forms
1 Silent film comedy
2 Early sound film comedy
3 The romantic comedy film
4 Radio comedy
5 Television comedy
6 Comedy and genre boundaries
7 Animated comedy
Part II: Themes, effects and impact of comedy
8 Comedy, gender and sexuality
9 Comedy and cultural value: from bad taste to gross-out
10 Comedy, race and ethnicity
Conclusion: 'You had to be there'
Appendix
Bibliography
Index -- .
Acknowledgements
Introduction
Part I: Comedy forms
1 Silent film comedy
2 Early sound film comedy
3 The romantic comedy film
4 Radio comedy
5 Television comedy
6 Comedy and genre boundaries
7 Animated comedy
Part II: Themes, effects and impact of comedy
8 Comedy, gender and sexuality
9 Comedy and cultural value: from bad taste to gross-out
10 Comedy, race and ethnicity
Conclusion: 'You had to be there'
Appendix
Bibliography
Index -- .