
For Folk's Sake
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Person
Erin Morton is professor of visual culture in the Department of History at the University of New Brunswick.Erin Morton is associate professor of visual culture in the Department of History at the University of New Brunswick.
Content
- Cover
- Contents
- Acknowledgments
- Preface
- INTRODUCTION
- 1 The Historical Presentism of Folk Art
- 2 A Genealogy of Folk Art in Canada: Nostalgia and the Ancestry of Modern Art
- PART ONE: Art Institutions and the Institutionalization of Folk Art
- 3 "Behind Those Weathered Doors": Chris Huntington, the Art Gallery of Nova Scotia, and the Institutionalization of the Folkloric Future
- 4 Teaching the Self-Taught: Collins Eisenhauer, the Nova Scotia College of Art and Design, and the Art-World Economies of Folk Art
- 5 "Tales of These Halcyon Days": The Centralized Decentralization of Regional Culture Making
- PART TWO: Maud Lewis and the Social Aesthetics of the Everyday
- 6 Ordinary Affects: Public History, Maud Lewis, and the Cultural Object of Optimism in Rural Nova Scotia
- 7 Commemorative Expectations: The Community-Corporate Model of the Maud Lewis Painted House Preservation
- 8 Art Works: The Maud Lewis Authority, Tourism, and Neoliberal Copyright
- CONCLUSION
- 9 The After Images and After Affects of Folk Art in the Present
- Illustrations
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
- Z
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