Inventing the Recording
The Phonograph and National Culture in Spain, 1877-1914
Published on 24. May 2021
978-0-19-755208-7 (ISBN)
Description
Inventing the Recording focuses on the decades in which recorded sound went from a technological possibility to a commercial and cultural artefact. Through the analysis of a specific and unique national context, author Eva Moreda Rodríguez tells the stories of institutions and individuals in Spain and discusses the development of discourses and ideas in close connection with national concerns and debates, all while paying close attention to original recordings from this era.
The book starts with the arrival in Spain of notices about Edison's invention of the phonograph in 1877, followed by the first demonstrations of the invention (1878-1882) by scientists and showmen. These demonstrations greatly stimulated the imagination of scientists, journalists and playwrights, who spent the rest of the 1880s speculating about the phonograph and its potential to revolutionize society once it was properly developed and marketed. The book then moves on to analyse the 'traveling phonographs' and salones fonográficos of the 1890s and early 1900s, with phonographs being paraded around Spain and exhibited in group listening sessions in theatres, private homes and social spaces pertaining to different social classes. Finally, the book covers the development of an indigenous recording industry dominated by the so-called gabinetes fonográficos, small businesses that sold imported phonographs, produced their own recordings, and shaped early discourses about commercial phonography and the record as a commodity between 1896 and 1905.
More details
Other editions
Additional editions
Book
10/2021
Oxford University Press Inc
€107.50
Shipment within 15-20 days
Person
Eva Moreda Rodríguez is Senior Lecturer in Musicology at the University of Glasgow. A specialist in the political and cultural history of music in modern Spain, she is the author of Music and Exile in Francoist Spain (Ashgate, 2015), Music Criticism and Music Critics in Early Francoist Spain (Oxford University Press, 2016), and numerous articles and book chapters. In 2018-19 she held a Leadership Fellowship from the Arts and Humanities Research Council (AHRC), and her work has also received funding from the Carnegie Trust for the Universities of Scotland, the British Academy, and the Leverhulme Trust.
Content
Acknowledgements
Introduction
Chapter 1: Imagining the phonograph, 1877-1888
Chapter 2: Travelling phonographs, 1888-1900
Chapter 3: Inventing the recording: gabinetes fonográficos and early commercial phonography in Madrid, 1896-1905
Chapter 4: Science, urban space and early phonography in Barcelona, 1898-1914
Chapter 5: Gabinetes fonográficos in Valencia, 1899-1901
Chapter 6: (Dis)embodied voices: recording singers, 1896-1914
Chapter 7: Consuming and collecting records in Spain, 1896-1905
Conclusion
Table 1
Table 2
Table 3
Table 4
Bibliography
