
An Introduction to the Music of Milton Babbitt
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
Babbitt is a twelve-tone composer, unabashedly so, and it is precisely his profound understanding of Arnold Schoenberg's epochal insight that gives Babbitt's music its special quality. By examining the underlying principles of twelve-tone composition, Mead allows us to appreciate Babbitt's music on its own terms, as a richly varied yet unified body of work. In achieving this purpose, he provides an excellent introduction to twelve-tone music in general. Without relying on professional jargon, he lucidly and succinctly explains Babbitt's complexities. A catalog of compositions, a discography, and a bibliography complete a book that will interest performers, music theorists, and music historians, as well as other readers who are enthusiastic or curious about contemporary musical works.
Originally published in 1994.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
More details
Other editions
Additional editions


Person
Content
Prologue 3
1 Milton Babbitt's Compositional World 5
The Twelve-Tone System 9
Babbitt's Pitch Structures 20
Babbitt's Rhythmic Structures 38
2 Mapping Trichordal Pathways (1947-1960) 54
A Wellspring of Possibilities: The Composition for Four Instruments 55
Realizing the Implications of the Composition for Four Instruments 76
Additional Compositional Strategies 105
3 Expansion and Consolidation (1961-1980) 124
Effects of All-Partition Arrays 127
A Brief Venture into Comparative Anatomy 162
Two (Short) Analyses 171
4 The Grand Synthesis (1981-) 204
Superarray Structure and Projection 209
Superarray Compositions 210
Concerted Superarray Compositions 226
Trichordal Arrays and Superarrays 239
Miniatures, Pieces D'Occasion 243
New Departures 252
Epilogue 264
Catalog of Compositions by Milton Babbit 267
All-Partition Arrays 271
Notes 295
Bibliography 305
Discography 315
Index 319
System requirements
File format: PDF
Copy protection: Watermark-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use the free software Adobe Reader, Adobe Digital Editions, or any other PDF viewer of your choice (see eBook Help).
- Tablet/Smartphone (Android; iOS): Install the free app Adobe Digital Editions or another reading app for eBooks, e.g., PocketBook (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
For more information, see our eBook Help page.