
Binding Space: The Book as Spatial Practice
Description
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Artists' books in particular - that is, a book made as an original work of art, with an artist, designer or architect as author - have certain qualities and characteristics, quite different from the conventional presentation and documentation of architecture. Paginal sequentiality, the structure and objecthood of the book, and the act of reading create possibilities for the book as a site for architectural imagining and discourse. In this way, the form of the book affects how the architectural work is conceived, constructed and read.
In five main sections, Binding Space examines the relationships between the drawing, the building and the book. It proposes thinking through the book as a form of spatial practice, one in which the book is cast as object, outcome, process and tool. Through the book, we read spatial practice anew.
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Person
Content
1. Artists' books: historical context
2 Qualities and characteristics of artists' books
3 Architecture and printed media
4 Recording time, place and memory
Part II Page: the book as cumulation
5 The line within architectural documentation
6 Architectural drawing and the page
Part III Volume: the book as vessel
7 The objecthood of the book
8 The book as folded model
9 The temporality of interiority
Part IV Series: the book as sequence
10 The reproducibility of drawings / buildings / books
11 The book as exhibition
Conclusion
Bibliography
Index
System requirements
File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
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