
Fontane in the Twenty-First Century
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Persons
LYNNE TATLOCK is Hortense and Tobias Lewin Distinguished Professor in the Humanities and Chair of Germanic Languages and Literatures at Washington University in St. Louis, MO.Michael White Michael:
MICHAEL WHITE is Lecturer (Assistant Professor) in German at St Andrews University. His principal areas of research are in nineteenth-century literature, especially Theodor Fontane and Realism. His publications include: Space in Theodor Fontane's Works: Theme and Poetic Function (MHRA, 2012); Theodor Fontane and Cultural Mediation, co-edited with R. Robertson (Oxford 2015). He has co-edited (with Andrew Cusack) a volume entitled Der Fontane-Ton: Stil im Werk Theodor Fontanes (2021).
Content
Note on Editions
Introduction: Fontane in the Twenty-First Century - John B. Lyon and Brian Tucker
Narrative Digression and the Transformation of Nationhood in Vor dem Sturm - Russell A. Berman
Nasty Women: Female Anger as Moral Judgment in Grete Minde and Effi Briest - Holly A. Yanacek
Peforming the Philistine: Gossip as a Narrative Device and a Strategy for Reflection on Anti-Semitism in Theodor Fontane's L'Adultera - Nicolas von Passavant
To Have an Eye: Visual Culture and the Misapprehension of Class in Irrungen, Wirrungen - Brian Tucker
Fontane as a Pacifist? The Anti-War Message in Quitt and Fontane's Changing Attitude to Militarism - James N. Bade
Disjunctive Transnationalisms in Fontane's Frau Jenny Treibel - John B. Lyon
On the "Right Measure" in Effi Briest: Ethics and Aesthetics of the Prosaic - Katharina Adeline Engler-Coldren
Transfiguration, Effect, and Engagement: Theodor Fontane's Aesthetic Thought - Michael J. White
Fontane and World Literature: Prussians, Jews, and the Specter of Africa in Die Poggenpuhls - Todd Kontje
Von Zwanzig bis Dreissig: The Male Author in Parts - Lynne Tatlock
Melusine von Barby's Barriers and Connections in Fontane's Der Stechlin - Christian Thomas
Senescence and Fontane's Der Stechlin - Ervin Malakaj
Notes on the Contributors
Index
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