
Psyche and the Literary Muses
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Content
- Psyche and the Literary Muses
- Editorial page
- Title page
- LCC data
- Dedication
- Table of contents
- Preface
- Part 1. Introduction
- 1. An orientation
- 2. Similarities and differences across the psychology of art
- Unique aspects of the psychology of art
- The role of the arts in psychology
- 3. Competing psychological approaches to the arts: Clinical and scientific
- An overview
- The clinical psychological approach to the arts
- Scientific psychology and the arts
- 4. The status of the scientific psychology of art
- Part 2. The psychology of literature: An overview
- 5. The psychology of literature: Comparisons with other psychologies of art
- Similarities between literature and the other arts
- The distinctive features of the psychology of literature
- Literary content is psychological
- The neglect of the psychological content of literature
- 6. A scientific psychology of literary content: Obstacles and steps towards a solution
- The many-sided objections to a scientific psychology of literary content
- Towards a solution: overcoming the obstacles to a scientific psychology of literary content
- The importance of the literary stimulus
- The virtues of brief literary materials
- Part 3. The psychological relevance of brief literary forms
- 7. Poetry, autobiographies, and titles: Their contribution to cognition, creativity, and physiognomic perception
- Poetry, the recognition of style, and concept learning
- Artists on creativity
- Titles of abstract paintings and short stories: Their expressive properties
- The titles of abstract art
- The titles of short stories
- 8. Literary names, indices, and clichés: Their contribution to physiognomic perception, emotions, and thinking
- Names in literature: Their physiognomic properties
- Studies of the positive and negative qualities of names
- Indices of literary content: Positive and negative emotions in literature
- Clichés: Cognitive and personal factors in their use
- The lessons learned
- 9. Quotations: Their psychological usefulness
- Quotations on quotations
- Quotations on literature
- A study of quotations: attitudes towards numbers
- Part 4. The psychological content of quotations: Person perception and attitudes to aging
- 10. Person perception and the psychological attributes of the body
- 11. A study of quotations on the psychological implications of the body
- 12. Prologue: Aging and the arts
- Paintings
- Literature
- Paintings and literature compared
- The next step
- 13. Aging's memorable lines: A study of quotations about growing old
- 14. The preoccupations of aging: The subject matter of quotations
- 15. Evaluations of aging in quotations
- The old compared to the young
- Old age as good or bad
- The physical-sensory aspects of aging
- The aged's mental abilities
- The aged's enjoyment of life
- Old women
- The aged's relationships with others
- Quotations with modest frequencies
- Evaluations of old age over time
- Old age: good or bad?
- The contribution of quotations to the study of aging
- Part 5. Conclusion
- 16. Implications of a content-oriented psychology of literature
- The focus on literary content
- Towards a perceptual emphasis
- A revitalized experimental aesthetics of literature
- Furthering interdisciplinary and other connections
- Evaluating the approach
- A personal word
- A final word
- Notes
- References cited
- Index
- The series Linguistic Approaches to Literature
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