Rewind, Play, Fast Forward
The Past, Present and Future of the Music Video
1st Edition
Published on 15. July 2015
280 pages
978-3-8394-1185-8 (ISBN)
Description
Due to shifts in the contexts of the production and presentation of the music video, more and more people start to talk about a possible end of this genre. At the same time disciplines such as visual-, film- and media-studies, art- and music-history begin to realize that despite the fact that the music video obviously has come of age, they still lack a well defined and matching methodical approach for analyzing and discussing videoclips.For the first time this volume brings together different disciplines as well as journalists, museum curators and gallery owners in order to take a discussion of the past and present of the music video as an opportunity to reflect upon suited methodological approaches to this genre and to allow a glimpse into its future.
Reviews / Votes
»Da sich die Autoren und Autorinnen [...] aus unterschiedlicher Perspektive der Thematik nähern, entsteht ein eindrucksvolles Panorama der in Veränderung begriffenen Landschaft des Musikvideos.«More details
Series
Language
English
Place of publication
Bielefeld
Germany
Target group
Professional and scholarly
Edition type
Digital original
Illustrations
74
44 s/w Abbildungen, 30 farbige Abbildungen
zahlr. Abb.
File size
5,88 MB
ISBN-13
978-3-8394-1185-8 (9783839411858)
DOI
10.14361/9783839411858
Schweitzer Classification
Other editions
Additional editions
Henry Keazor | Thorsten Wübbena
Rewind, Play, Fast Forward
The Past, Present and Future of the Music Video
Book
11/2010
1st Edition
transcript
€29.80
Article exhausted; check different version
Persons
Editor
Henry Keazor, Universität Heidelberg, Deutschland
Henry Keazor lehrt Neuere und Neueste Kunstgeschichte am Institut für Europäische Kunstgeschichte der Universität Heidelberg.
ISNI:
Thorsten Wübbena, Leibniz-Institut für Europäische Geschichte, Deutschland
Thorsten Wübbena leitet den Bereich »Digitale Historische Forschung | DH Lab« am Leibniz-Institut für Europäische Geschichte (IEG), Mainz. Seine Forschungsinteressen umfassen die Digitale Methodik in den Geistes- und Kulturwissenschaften, Forschungsinfrastrukturen im Bereich des kulturellen Erbes sowie Prozess- und Projektmanagement in den Digital Humanities.
Content
- Cover Rewind, Play, Fast Forward
- Contents
- Rewind - Play - Fast Forward. The Past, Present and Future of the Music Video: Introduction
- REWIND: THE HISTORY, COLLECTING, AND RECEPTION OF THE MUSIC VIDEO
- "Don't You Cry Tonight". Guns N' Roses and the Music Video Folly
- The Genealogy of the Clip Culture
- Looking at Music
- "Pride and Prejudice". A Brief History of the Italian Music Video
- PLAY: THE METHODOLOGY OF ANALYSIS AND INTERPRETATION
- Concerning the Transition of the Reception of the Music Video due to a Change in the Politics of Distribution of the Music Video- and the Music(-TV-)Market
- An Analysis of the Relation between Music and Image. The Contribution of Michel Gondry
- "Sense and Sensibility". Two Versions of Rammstein's Du riechst so gut
- The Aesthetics of Music Videos: An Open Debate
- Liquid Cosmos. Movement and Mediality in Music Video
- Who Cares about the Music in Music Videos? Toward a Multiperspectival Pop Cultural Study of Music Videos
- FAST FORWARD: THE FUTURE OF THE MUSIC VIDEO
- Get the Cut. On the Relationship between Visual Music and Music Video
- "Why Ar tists Make Clips". Contemporary Connections between Art and Pop
- "It's the End of Music Videos as we Know them (but we Feel Fine)". Death and Resurrection of Music Videos in the YouTube-Age
- Music Video and YouTube: New Aesthetics and Generic Transformations: Case Study - Beyoncé's and Lady Gaga's Video Phone
- Future Thrills the Video Star - The Future of the Music Video
- About the Editors
- About the Authors
- Index
