
Information Multiplicity
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Realism having thus fractilized into high-speed collage, thought itself is redefined from the High Modernist "stream of consciousness" into what the machine psychologist Daniel Dennett refers to as "multiple drafts" or "circuits" operating concurrently in the human brain. In a series of close readings, Johnston traces how this viral influx of information into human consciousness has been replicated in works by Thomas Pynchon (Gravity's Rainbow and Vineland), Joseph McElroy (Lookout Cartridge), William Gaddis (J.R.), Don DeLillo (Libra), and William Gibson (Necromancer).
From John Johnston's Introduction: "Information multiplicities are profoundly corrosive of older cultural forms and identities, dissolving both subjects and objects alike into systems, processes and nodes in the circuits and flow of information exchange. But they also bring about new kinds of energy and even strange new forms of 'artificial life.'. Contemporary culture-or more specifically what is called postmordern techno- or cyberculture-is a restructuring process that can similarly be described: as an artifactual space created when information re-structures modern or traditional culture in order to make it a better habitat for information."
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Content
Introduction
Part I: Writing (in) the Machinic Universe
Chapter 1. The Literary Assemblage: Writing Machines and Late Capitalism
Chapter 2. Information and Mediality: The Novel as Psychic Apparatus
Part II: The Novel of Information Multiplicity
Chapter 3. Rocket-State Assemblage: Gravity's Rainbow
Chapter 4. Narration, Delirium, Machinic Consciousness: Lookout Cartridge
Chapter 5. Capitalism and Entropic Flow: JR
Part III: The Novel of Media Assemblages
Chapter 6. Fictions of the Culture Medium: The Novels of Don DeLillo
Chapter 7. An American Book of the Dead: Media and Spectral Life in Vineland
Chapter 8. The Disappearance of Media: Cyberspace in Neuromancer
Coda. "Change for the Machines": The Complexity of Bodies in Synners
Notes
Index
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