
The Human and the Machine in Literature and Culture
Description
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Reviews / Votes
The Human and the Machine in Literature and Culture highlights relationships between human agency and automation in literary imaginations. Its investigation of poetics and poetic production offers fresh insight into the value of the unruly and alive humanity that exists beyond the battery of the machines propelling us toward futurity.-Saba Syed Razvi, Associate Professor English and Creative Writing, University of Houston-Victoria, USA
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Persons
Molly Crozier is an early career researcher in French and Comparative Literature. Her research focuses on embodiment, gender and disability in twentieth-century theatre. She is working on a monograph on disability in Samuel Beckett's drama. She holds an honorary fellowship at the Institute of Irish Studies, University of Liverpool.
Content
Acknowledgements
Introduction. Automation: This Time It's (Probably Not) Different
Kate Foster
1.'What we need is more automation': Automation Debates in the Postwar Period
Ben Roberts
2. When the Clock Took the Floor: Technology as Non-Human Actor in Augusto De Angelis' Detective Novel Il Banchiere Assassinato (1935)
Emanuele Stefanori
3. On the Threshold of Life and Death: Guido Cavalcanti and the Medieval Automaton
Rebecca Reilly
4. Monsters, Mechanics, and Automatic Writing in E.T.A. Hoffman's 'The Sandman' and Gerard de Nerval's 'Aurelia'
Vanessa Weller
5. Forms of Computation in Hjalmar Soederberg's and Thomas Mann's Decadent Short Stories
Laura Alice Chapot
6. Prosthetic Verse: Technology, Embodiment, and Disability in French Poetry (1984-2024)
Leon Pradeau
7. Postcolonial Agency vs. 'French Automation' in Mounsi's Territoire d'Outre-Ville
David Spieser-Landes
8. Humans in the Loop as Post-Literary Ghosts: Discomfort and Disruption on Amazon Mechanical Turk
Bruno Ministro
9. Bricolage, Wild Thought, and the Automation of Knowledge
Madeleine Chalmers
Coda
Molly Crozier
Index
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