Making Milton
Print, Authorship, Afterlives
1st Edition
Published on 4. March 2021
280 pages
978-0-19-255501-4 (ISBN)
Description
This volume consists of fourteen original essays that showcase the latest thinking about John Milton's emergence as a popular and canonical author. Contributors consider how Milton positioned himself in relation to the book trade, contemporaneous thinkers, and intellectual movements, as well as how his works have been positioned since their first publication.
The individual chapters assess Milton's reception by exploring how his authorial persona was shaped by the modes of writing in which he chose to express himself, the material forms in which his works circulated, and the ways in which his texts were re-appropriated by later writers. The Milton that emerges is one who actively fashioned his reputation by carefully selecting his modes of writing, his language of composition, and the stationers with whom he collaborated. Throughout the volume, contributors also demonstrate the profound impact Milton and his works have had on the careers of a variety of agents, from publishers, booksellers, and fellow writers to colonizers in Mexico and South America.
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03/2021
Oxford University Press
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Persons
Emma Depledge is Assistant Professor of English Literature, 1500-1790 at the Université de Neuchâtel. She is the author of Shakespeare's Rise to Cultural Prominence: Print, Politics and Alteration, 1642-1700 (CUP, 2018) and co-editor of Canonising Shakespeare: Stationers and the Book Trade, 1640-1740 (CUP, 2017). She writes the annual review of texts and editions for Shakespeare Survey and is an associate editor for English Studies.
John S. Garrison is Professor of English at Grinnell College, where he teaches courses on early modern literature and culture. His recent books include Shakespeare at Peace (with Kyle Pivetti, Routledge, 2018) and Shakespeare and the Afterlife (Oxford University Press, 2019).
Marissa Nicosia is Assistant Professor of Renaissance Literature at The Pennsylvania State University--Abington College. She is co-editor of Renaissance Futures, a special volume of Explorations in Renaissance Culture (2019), and she has published articles on early modern literature in journals such as Modern Philology, Milton Studies, and The Papers of the Bibliographical Society of America. She is a member of the executive council of the Milton Society of America.
Content
- 1: Emma Depledge, John S. Garrison, and Marissa Nicosia: What Made Milton?
- PART ONE: MILTON AND THE BOOK TRADE
- 2: Stephen B. Dobranski: Milton and Transcendent Authorship
- 3: Blaine Greteman: Making Connections with Milton's Epitaphium Damonis
- 4: Emma Depledge: Repackaging Milton for the Late Seventeenth-Century Book Trade: Jacob Tonson, Paradise Lost, and John Dryden's The State of Innocence
- 5: Thomas N. Corns: Joseph Addison and the Domestication of Paradise Lost
- PART TWO: MILTON'S CONSTRUCTION OF AN AUTHORIAL IDENTITY
- 6: Noam Reisner: Young Milton's Pauline Temper
- 7: David Loewenstein: Milton's Ludlow Maske and Remaking English Nationhood
- 8: Rachel Willie: Inscribing Textuality: Milton, Davenant, Authorship, and the Performance of Print
- 9: John K. Hale: 'Londini sum natus': The Latin Voice of Milton's Life-Account in Defensio Secunda
- 10: Antoinina Bevan Zlatar: Milton among the Iconoclasts
- 11: Kyle Pivetti: 'Do I Amuse You?: Milton's Muse and the Dangers of Erotic Inspiration'
- PART THREE: MILTON'S AFTERLIVES
- 12: Lara Dodds: Making Milton's Bogey: Or, Anne Finch Reads John Milton
- 13: Angelica Duran: Mexican Miltons
- 14: Neil Forsyth: Milton's Erotic Dramas
- 15: Nigel Smith: Milton and Radicalism
- 16: Elizabeth Sauer: Afterword: Making Milton Matter
- Works Cited
