Cinematic Geographies and Multicultural Spectatorship in America
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"Taking revisionist Westerns of the seventies as its starting point and traveling through cinematic spaces as varied as the American South, cities, and suburbs, Cinematic Geographies and Multicultural Spectatorship in America explores the cinema's role in the creation of cultural landscapes. Its analysis of filmic space focuses not only on the role of travel and exploration within narratives, but it also maps the cinema's creation of spectatorial points of view based on the construction of certain settings in different genres. It is utterly original in its approach to understanding the functions and meanings of space in late twentieth-century film." - Paula Massood, Professor, Film Studies, Brooklyn College, City University of New York, USA
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Introduction 1. The Story of a Land: The Spatial Politics of Early Multiculturalism in Indian Country 2. Primitive Cousins: Roots and Authenticity in the White South 3. The Urban Frontier: From Inner City Tourist to Resident 4. "Home" Turns Otherworldly in the Suburbs 5. Ghosts of Indian Country: Filling in the Map
