
Style in the Renaissance
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Content
Introduction: In the Beginning was the Word
Chapter One: Constructing Plausible Stories: Ideology, Conceptual Integration Theory and the Politics of Representation in George Herbert's 'JESU'
Chapter Two: 'A Deed Without a Name': Murder and the Linguistics of Agency in Shakespeare's Macbeth
Chapter Three: 'Bit-Part' Actors: Metonymy in Thomas Middleton and William Rowley's The Changeling
Chapter Four: Picturing Words: Ekphrasis and the Word-as-Image in Early Modern Poetry Conclusion: 'Being Nothing': The value of the W/word
Notes
Bibliography
Index
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