
Reconstructing Ancient Linen Body Armor
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Alexander the Great led one of the most successful armies in history and conquered nearly the entirety of the known world while wearing armor made of cloth. How is that possible? In Reconstructing Ancient Linen Body Armor, Gregory S. Aldrete, Scott Bartell, and Alicia Aldrete provide the answer.
An extensive multiyear project in experimental archaeology, this pioneering study presents a thorough investigation of the linothorax, linen armor worn by the Greeks, Macedonians, and other ancient Mediterranean warriors. Because the linothorax was made of cloth, no examples of it have survived. As a result, even though there are dozens of references to the linothorax in ancient literature and nearly a thousand images of it in ancient art, this linen armor remains relatively ignored and misunderstood by scholars.
Combining traditional textual and archaeological analysis with hands-on reconstruction and experimentation, the authors unravel the mysteries surrounding the linothorax. They have collected and examined all of the literary, visual, historical, and archaeological evidence for the armor and detail their efforts to replicate the armor using materials and techniques that are as close as possible to those employed in antiquity. By reconstructing actual examples using authentic materials, the authors were able to scientifically assess the true qualities of linen armor for the first time in 1,500 years. The tests reveal that the linothorax provided surprisingly effective protection for ancient warriors, that it had several advantages over bronze armor, and that it even shared qualities with modern-day Kevlar.
Previously featured in documentaries on the Discovery Channel and the Canadian History Channel, as well as in U.S. News and World Report, MSNBC Online, and other international venues, this groundbreaking work will be a landmark in the study of ancient warfare.
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Content
Introduction
The State of Linothorax Scholarship and Typologies of Greek Armor
The Structure of This Book
Methodology and Audience
1. Ancient Evidence for Linen Armor
Literary Sources
Linen in the Ancient World
Visual Sources
2. Structural Variants and Decorations on Type IV Armor
Structural Elements I: Shoulder Flaps
Structural Elements II: Shoulder Flap Ties
Structural Elements III: Pteruges
Structural Elements IV: Structural Elements IV
Decorative Elements I: Painted Designs
Decorative Elements II: Color
Distinctive Aspects of Etruscan Type IV Armor
3. What Material Was Used to Make Type IV Armor?
Leather versus Linen Construction
Sewn versus Laminated Construction
Composite Construction
4. Reconstructing the Linothorax
Developing a Basic Pattern
Fabrics and Glues
The Lamination Process
Heroic Nudity and Armor Length
Decoration
Thickness
5. Arrow Test Methodology and Materials
Arrow Test Rationale
Test Patches
Arrows and Bows
Arrow Test Procedure
6. Arrow Test Results
General Observations
Less Significant Test Variables
Hand-Produced versus Modern Linens
Laminated versus Sewn and Quilted
Different Arrowheads
Depth of Penetration and Lethality of Injury
Angled Shots
Test Results Compared to Ancient Source Testimony
Testing Other Types of Attacks
Arrow versus Unarmored Warrior
Arrow versus Test Patch: Test Result Tables
Linen versus Metal Armor
7. Wearability Issues
Potential Vulnerability to Moisture
Waterproofing Experiments
Durability and Repair
Range of Motion, Mobility, and Fit
Heat, Weight, and Endurance
8. Economic and Social Considerations
Labor Required to Construct a Linothorax
The Cost of Linen Armor
Cost and Availability of Leather versus Linen
Large- Scale Production
Gender Issues
Conclusion
Appendix: Database of Visual Sources for Type IV Armor
Black-Figure Vases
White- Ground Technique Vases
Red- Figure Vases
Stone Sculptures and Reliefs
Terracotta Sculptures and Reliefs
Metal Objects
Paintings
Notes
Bibliography
Index
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