From the Stage to the Studio

Reviews / Votes

A profoundly thoughtful, comprehensive and balanced exploration of the life-giving, empowering relationship between making and teaching music-essential reading for the 21st-century music student. * Karl Paulnack, former Director, Boston Conservatory; faculty, Tanglewood Music Center * This serves as a critical resource and tool to not only inspire but also empower all those who wish to achieve transformative impact on others while building a fulfilling professional life for themselves. * Aaron Dworkin, MacArthur Fellow, Founder of the Sphinx Organization, award-winning filmmaker * A thoughtful guide on the art and science of teaching that will not only help the reader become a more insightful and helpful teacher to others, but a more effective teacher to themselves as well! * Noa Kageyama, Ph.D., performance psychologist, Faculty, The Juilliard School * I love what this book says about the art of music. When I think of how many years, master teachers, serendipitous or just fortuitous moments of realization and connection between body and soul, how many once-in-a-lifetime revelations I have accumulated and, NOW, to find it all in one book! I am stunned, amazed, and forever grateful. * Richard Stoltzman, Grammy Award-Winning Clarinetist * From the Stage to the Studio succeeds well beyond its mission of being a helpful resource for teaching performers. This book is a thoughtful examination of the process of musical learning, self-teaching, and the communication and sharing of musical knowledge between teacher and student. It is highly recommended. * Scott Belck, D.M.A., Director of Jazz Studies, Professor of Music, University of Cincinnati College-Conservatory of Music * In a world in which instrumental teachers can have a very hit-and-miss experience as they feel their way into the profession, this book is like a torch beam, highlighting the path to a world of generative and creative instrumental teaching. It is the kind that learners and teachers will alike find affirming, and will enjoy, and one that considers both as whole human beings with histories, preferences, failings and foibles, looking to enjoy together a lifetime in music. * Philippa Bunting, The Strad * I highly recommend this book. It is practical, comprehensive and easy to approach and read. * Anne Berry, AUSTA Stringendo *