
Singularities
Essays in Aesthetics
Aaron Ridley(Author)
Oxford University Press
Published on 29. August 2024
Book
Hardback
284 pages
978-0-19-284597-9 (ISBN)
Description
These essays, half of them appearing here for the first time, address issues concerning the two key singularities that Kant identified in aesthetics: artistic creativity and aesthetic judgement. Ranging from Kant himself to contemporary debates, from song to conceptual art, from ethics to atheism, from function to failure, Aaron Ridley explores the ways in which the one-off character of creativity and judgement may defy our ordinary expectations of what an explanation should be like. Intended equally for specialists and students, this collection offers a distinctive approach to aesthetics that will be of interest to any reader concerned with philosophical reflection upon the arts.
Reviews / Votes
Aaron Ridley's Singularities is an enjoyable collection of fourteen essays that deal with a wide variety of topics in the philosophy of art or rather, as Aaron Ridley prefers to say, "aesthetics." * Julian Young, Society *More details
Language
English
Place of publication
Oxford
United Kingdom
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 234 mm
Width: 163 mm
Thickness: 21 mm
Weight
599 gr
ISBN-13
978-0-19-284597-9 (9780192845979)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions


Person
Educated at the universities of York (BA) and Cambridge (PhD), Aaron Ridley has taught at UCNW Bangor, Ithaca College, NY, and, since 1994, the University of Southampton. His chief research interests are aesthetics, especially musical aesthetics, and the thought of Friedrich Nietzsche.
Content
Introduction
PART 1: CREATIVITY
1: R.G. Collingwood: a Philosophy of Art
2: Against Musical Ontology
3: Pieces of Music and Pinches of Salt
4: Acting for Aesthetic Reasons
5: Why Ethics and Aesthetics Are Practically the Same
6: Making Art, Making Craft
7: Kant's Aesthetic Ideas
PART 2: JUDGEMENT
8: On the Musically Possible
9: Song as a Whole
10: Bad Art
11: Critical Conversions
12: Persona Sometimes Grata: Appreciating Expressive Music
13: Religious Music for Godless Ears
14: Art Works: On Functional Beauty
PART 1: CREATIVITY
1: R.G. Collingwood: a Philosophy of Art
2: Against Musical Ontology
3: Pieces of Music and Pinches of Salt
4: Acting for Aesthetic Reasons
5: Why Ethics and Aesthetics Are Practically the Same
6: Making Art, Making Craft
7: Kant's Aesthetic Ideas
PART 2: JUDGEMENT
8: On the Musically Possible
9: Song as a Whole
10: Bad Art
11: Critical Conversions
12: Persona Sometimes Grata: Appreciating Expressive Music
13: Religious Music for Godless Ears
14: Art Works: On Functional Beauty