Popular Music, Digital Technology and Society
1st Edition
Published on 4. April 2018
Book
Hardback
224 pages
978-1-84860-044-7 (ISBN)
Description
From shifts in format, through the effects on circulation and ownership, to the rise of digitally-produced genres, the ways we create, share and listen to music have changed fundamentally. In Popular Music, Digital Technology and Society, Nick Prior explores the social, cultural and industrial contexts in which these shifts have taken place. Both accessible and authoritative, the book:
Clarifies key concepts such as assemblage, affordance, mediation and musicking and defines new concepts such as playsumption and digital vocalities
Considers the impact of music production technologies such as MIDI, sampling, personal computing and smartphone apps
Looks at the ways in which the internet shapes musical consumption, from viral marketing to streaming services
Examines the effects of mobile audio devices on everyday social interactions
Opens up new ways to think and write about the personal experience of making and performing digital music
This book is an invaluable resource for anyone who wants to understand the place of popular music in contemporary culture and society. It will be fascinating reading for students and researchers across media and communication studies, sociology, cultural studies and the creative industries.
Clarifies key concepts such as assemblage, affordance, mediation and musicking and defines new concepts such as playsumption and digital vocalities
Considers the impact of music production technologies such as MIDI, sampling, personal computing and smartphone apps
Looks at the ways in which the internet shapes musical consumption, from viral marketing to streaming services
Examines the effects of mobile audio devices on everyday social interactions
Opens up new ways to think and write about the personal experience of making and performing digital music
This book is an invaluable resource for anyone who wants to understand the place of popular music in contemporary culture and society. It will be fascinating reading for students and researchers across media and communication studies, sociology, cultural studies and the creative industries.
Reviews / Votes
Eloquent and informed, this book reveals the deeply complex relations between music and new types of digital and networked technologies. It will transform our understanding of popular music today. -- David Beer Brimming with analytical insights from sociology and cultural studies, this is an indispensable guide through the world of digital music and its bewildering array of technologies. -- Trevor J Pinch An excellent book. Nick Prior weaves together insights from a diverse array of contemporary social theories to help make sense of the sprawling reality of today's digital music worlds. That he does this in such an accessible style is to be warmly applauded. -- Lee MarshallMore details
Language
English
Place of publication
London
United Kingdom
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 17 mm
Weight
508 gr
ISBN-13
978-1-84860-044-7 (9781848600447)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
04/2018
1st Edition
SAGE Publications Ltd
€83.20
Shipment within 15-20 days
E-Book
02/2018
1st Edition
SAGE Publications Ltd
€75.49
Available for download
Person
Nick Prior is Senior Lecturer in Sociology in the School of Social and Political Science at the University of Edinburgh. His primary interests pivot to the sociology of music and particularly the attempt to understand the complex layers that fold around popular music in an increasingly digitally mediated present. His most recent book, Popular Music, Digital Technology and Society, is published by Sage (2018) and explores how music's devices, styles, sounds and personnel are implicated in post-1980s shifts in the nature and organisation of culture and society. He works in a post-Bourdieusian tradition, though his most recent work opens up the potentials of assemblage thinking when applied to electronic and digital vocalities and the role of virtual idols in Japan. His work has appeared in the journals Contemporary Music Review, Cultural Sociology, British Journal of Sociology, New Formations, Information, Communication and Society, Space and Culture, Reseaux, Sociology Compass and Poetics. He has been co-editor of Cultural Sociology since 2016.
Content
Chapter 1 Introduction: Popular Music, Technology and Society
Chapter 2 After the Orgy: The Internet and Popular Music Consumption
Chapter 3 Apps, Laps and Infinite Tracks: Digital Music Production
Chapter 4 From Iron Cage to Digital Bubble? Mobile Listening Devices and the City
Chapter 5 Vox Pop: Exploring Electronic and Digital Vocalities
Chapter 6 Playsumption: Music and Games
Chapter 7 Afterword: Digitus
Chapter 2 After the Orgy: The Internet and Popular Music Consumption
Chapter 3 Apps, Laps and Infinite Tracks: Digital Music Production
Chapter 4 From Iron Cage to Digital Bubble? Mobile Listening Devices and the City
Chapter 5 Vox Pop: Exploring Electronic and Digital Vocalities
Chapter 6 Playsumption: Music and Games
Chapter 7 Afterword: Digitus