
Photos of the Gods
The Printed Image and Political Struggle in India
Christopher Pinney(Author)
Reaktion Books (Publisher)
Published on 1. January 2004
Book
Paperback/Softback
320 pages
978-1-86189-184-6 (ISBN)
Description
Mass-produced images have long been produced and used in India by religious and nationalist movements - the emergence of Indian-run chromolithograph presses in the late 1870s initiated a vast outpouring that have come to dominate many of India's public and domestic spaces.
Drawing on years of archival research, interviews with artists and publishers, and the ethnographic study of their rural consumers, Christopher Pinney traces the intimate connections between the production and consumption of these images and the struggle against colonial rule. The detailed output of individual presses and artists is set against the intensification of the nationalist struggle, the constraints imposed by colonial state censorship, and fifty years of Indian independence. The reader is introduced to artists who trained within colonial art schools, others whose skills reflect their membership of traditional painting castes, and yet others who are self-taught former sign painters. Photos of the Gods is the first comprehensive history of India's popular visual culture.
Combining anthropology, political and cultural history, and the study of aesthetic systems, and using many intriguing and unfamiliar images, the book shows that the current predicament of India cannot be understood without taking into account this complex, fascinating, and until now virtually unseen, visual history.
Drawing on years of archival research, interviews with artists and publishers, and the ethnographic study of their rural consumers, Christopher Pinney traces the intimate connections between the production and consumption of these images and the struggle against colonial rule. The detailed output of individual presses and artists is set against the intensification of the nationalist struggle, the constraints imposed by colonial state censorship, and fifty years of Indian independence. The reader is introduced to artists who trained within colonial art schools, others whose skills reflect their membership of traditional painting castes, and yet others who are self-taught former sign painters. Photos of the Gods is the first comprehensive history of India's popular visual culture.
Combining anthropology, political and cultural history, and the study of aesthetic systems, and using many intriguing and unfamiliar images, the book shows that the current predicament of India cannot be understood without taking into account this complex, fascinating, and until now virtually unseen, visual history.
Reviews / Votes
Christopher Pinneys opulently illustrated social history of Indian chromolithography, Photos of the Gods, has already established itself as an authoritative work in the expanding field of South Asian visual culture . . . This volume certainly redresses the imbalances of earlier accounts of the history of the printed image in India, and we are all indebted to Pinney's brilliant spade-work. * <i>Bulletin of the School of Oriental and African Studies</i> *More details
Language
English
Place of publication
London
United Kingdom
Target group
Professional and scholarly
College/higher education
Illustrations
200 illustrations, 100 in colour
Dimensions
Height: 250 mm
Width: 190 mm
ISBN-13
978-1-86189-184-6 (9781861891846)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Christopher Pinney is Professor of Anthropology and Visual Culture at University College London. His publications include Camera Indica (1997), Photos of the Gods (2004) and Photography and Anthropology (2011), all published by Reaktion.