
The Art of Decolonisation
Dakar-Paris, 1950-70
Maureen Murphy(Author)
Manchester University Press
Will be published approx. on 7. April 2026
Book
Hardback
288 pages
978-1-5261-7525-0 (ISBN)
Description
The art of decolonisation examines how artists challenged colonial legacies and reconfigured power through transnational networks of art and diplomacy. Adopting a global and transhistorical perspective, it explores artistic, political, and institutional relations between France and Senegal during decolonisation and the Cold War. From the emergence of a national modern art in Senegal to contested cultural policies and high-profile exhibitions-such as those featuring Picasso and Soulages in Dakar, or contemporary Senegalese art in Paris-this book traces the circulation of artworks, ideas, and influence across borders. It reveals how visual artists and filmmakers shaped a new artistic geopolitics between 1950 and 1970.
Reconsidering the accepted chronology of the 'global turn', The art of decolonisation shows that the roots of global art discourse run deeper than the 1990s, and were already forming during the era of independence struggles. -- .
Reconsidering the accepted chronology of the 'global turn', The art of decolonisation shows that the roots of global art discourse run deeper than the 1990s, and were already forming during the era of independence struggles. -- .
More details
Series
Language
English
Place of publication
Manchester
United Kingdom
Illustrations
64 colour illustrations
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 21 mm
Weight
722 gr
ISBN-13
978-1-5261-7525-0 (9781526175250)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
04/2026
University Press of Mississippi
€132.99
Available for download
Person
Maureen Murphy is Professor of Art history at University Paris-Nanterre -- .
Content
Preface to the translation: Outside in the French academic machine
Introduction
1 Exchanging rather than returning
2 Behind the masks
3 Overthrowing colonial legacies
4 Creating a new art for a ne nation
5 The Musee dynamique: platform for decolonisation
6 The ecole de Dakar in Paris
Epilogue
Sources -- .
Introduction
1 Exchanging rather than returning
2 Behind the masks
3 Overthrowing colonial legacies
4 Creating a new art for a ne nation
5 The Musee dynamique: platform for decolonisation
6 The ecole de Dakar in Paris
Epilogue
Sources -- .