The Film Studio
Film Production in the Global Economy
Published on 28. April 2005
Book
Paperback/Softback
248 pages
978-0-7425-3681-4 (ISBN)
Description
The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, alleging that global competition is best understood as an unequal and unstable partnership between the 'design interest' of footloose producers and the 'location interest' of local actors. Ben Goldsmith and Tom O'Regan identify various types of film studios and investigate the consequences for Hollywood, international film production, and the studio locations.
Reviews / Votes
The book's strategy-positioning the studio at the centre of current international production-permits a very persuasive and useful analysis of where the industry (in the largest sense) is now and how it got here. -- R. J. Thompson, La Trobe University * Media International Australia * The global film industry is evidently on the verge of a major sea-change as more and more shooting activities decentralize from traditional centers of production-above all Hollywood-to other locations, all over the world. Goldsmith and O'Regan provide us with the first systematic in-depth assessment of this trend and its implications for the future of the global landscape of film-making activities. -- Allen J. Scott, University of California, Los AngelesMore details
Series
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing Plc
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 15 mm
Weight
405 gr
ISBN-13
978-0-7425-3681-4 (9780742536814)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
05/2005
1st Edition
Rowman & Littlefield Publishers
€55.99
Available for download
Persons
Ben Goldsmith is a lecturer in the Centre for Screen Studies and Research at the Australian Film, Television, and Radio School in Sydney, Australia. Tom O'Regan is professor of media and cultural studies in the School of English, Media Studies, and Art History at the University of Queensland.
Content
Chapter 1 Acknowledgments
Chapter 2 Introduction
Chapter 3 1 International Production and Globalization
Chapter 4 2 Types of Studio
Chapter 5 3 Studios, the "Location Interest," and Policy
Chapter 6 4 Studios, Stargates, and Urban Reimagining
Chapter 7 5 Extreme Dreams in Satellite Locations: The Rise of the Greenfields Studio
Chapter 8 6 From National to International Film Studios
Chapter 9 7 Still Exceptional? London's Film Studios
Chapter 10 8 "The Same but Different!": Canadian Studios and International Production
Chapter 11 9 Still the Center: Studios and the United States
Chapter 12 Bibliography
Chapter 13 Index
Chapter 14 About the Authors
Chapter 2 Introduction
Chapter 3 1 International Production and Globalization
Chapter 4 2 Types of Studio
Chapter 5 3 Studios, the "Location Interest," and Policy
Chapter 6 4 Studios, Stargates, and Urban Reimagining
Chapter 7 5 Extreme Dreams in Satellite Locations: The Rise of the Greenfields Studio
Chapter 8 6 From National to International Film Studios
Chapter 9 7 Still Exceptional? London's Film Studios
Chapter 10 8 "The Same but Different!": Canadian Studios and International Production
Chapter 11 9 Still the Center: Studios and the United States
Chapter 12 Bibliography
Chapter 13 Index
Chapter 14 About the Authors