
Voice for Performance
Training the Actor's Voice
Linda Gates(Author)
Rowman & Littlefield Publishers
3rd Edition
Published on 11. May 2022
Book
Paperback/Softback
240 pages
978-1-5381-6378-8 (ISBN)
Description
A valuable guide that teaches students and professional performers alike how to train their most essential feature-their voice.
For voice performers-from actors and singers to newscasters and radio hosts-even a minor voice disorder can have a significant impact on their career. Vocal training is vital if the performer wants to use his or her voice effectively and repeatedly.
In Voice for Performance: Training the Actor's Voice, Third Edition, Linda Gates addresses key elements of voice and speech-respiration, vibration, resonation, and articulation-in a straightforward style to produce voices that are clear, articulate, and easily heard. While the focus of the book is on training the voice for performance in live theatre, it also features guidance for students who want to expand their vocal skills for work in radio, podcasts, television, film, voice acting, and even online meetings and presentations.
This third edition features extensive updates based on advances in voice science, new pedagogical approaches, new media, and the latest technology. It also includes a companion website, voiceforperformance.com, with videos and audio of the author demonstrating the exercises, making this book a must-have for all voice performers.
For voice performers-from actors and singers to newscasters and radio hosts-even a minor voice disorder can have a significant impact on their career. Vocal training is vital if the performer wants to use his or her voice effectively and repeatedly.
In Voice for Performance: Training the Actor's Voice, Third Edition, Linda Gates addresses key elements of voice and speech-respiration, vibration, resonation, and articulation-in a straightforward style to produce voices that are clear, articulate, and easily heard. While the focus of the book is on training the voice for performance in live theatre, it also features guidance for students who want to expand their vocal skills for work in radio, podcasts, television, film, voice acting, and even online meetings and presentations.
This third edition features extensive updates based on advances in voice science, new pedagogical approaches, new media, and the latest technology. It also includes a companion website, voiceforperformance.com, with videos and audio of the author demonstrating the exercises, making this book a must-have for all voice performers.
Reviews / Votes
Voice for Performance is complete, up to date, and very effective, whether used in a supervised class or for private study. Linda has taken a complex subject and made it approachable to a wide range of students. Voice for Performance is on a level with the very best books on the subject. This is the text I will use throughout my teaching career. -- Bill Reed, President, Bill Reed Voice Studio, Inc.More details
Edition
3rd edition
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing Plc
Target group
College/higher education
US School Grade: From College Freshman to College Graduate Student
Illustrations
5 b/w photos; 174 tables; 2 textboxes
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 14 mm
Weight
396 gr
ISBN-13
978-1-5381-6378-8 (9781538163788)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
05/2022
3rd Edition
Rowman & Littlefield Publishers
€26.99
Available for download

E-Book
05/2022
3rd Edition
Bloomsbury eBooks US
€26.99
Available for download
Previous edition

Book
09/2011
Limelight Editions
€39.80
Shipment within 10-15 days
Person
Linda Gates is the Head of Voice in the Department of Theatre at Northwestern University. She has taught voice and speech across the United States and in the UK and Europe. Gates has worked as a voice and dialect coach both on and off-Broadway, in Chicago, regional theatre, opera, and in film. She has worked with renowned actors and singers such as Meryl Streep, Placido Domingo, Sigourney Weaver, Rosemary Harris, and Nick Offerman. She lives in Chicago.
Content
Acknowledgements
Introduction
Chapter I. The Actor's Voice
Chapter II. Relaxation and Body Alignment
Chapter III. Breathing
Chapter IV. Resonance
Chapter V. The Sounds of English
Chapter VI. Special Speech Issues
Chapter VII. Keeping Your Voice Healthy
Chapter VIII. The Electronic Voice
Chapter IX. Occupational Demands on the Actor's Voice
Chapter X. An Approach to Text
Chapter XI. The Singing Voice
Bibliography
Notes
Index
About the Author
Introduction
Chapter I. The Actor's Voice
Chapter II. Relaxation and Body Alignment
Chapter III. Breathing
Chapter IV. Resonance
Chapter V. The Sounds of English
Chapter VI. Special Speech Issues
Chapter VII. Keeping Your Voice Healthy
Chapter VIII. The Electronic Voice
Chapter IX. Occupational Demands on the Actor's Voice
Chapter X. An Approach to Text
Chapter XI. The Singing Voice
Bibliography
Notes
Index
About the Author