Post-traumatic Culture
Injury and Interpretation in the Nineties
Kirby Farrell(Author)
Johns Hopkins University Press
Published on 24. November 1998
Book
Hardback
440 pages
978-0-8018-5786-7 (ISBN)
Description
The author argues that the concept of trauma has shaped some of the central narratives of the 1990s - from the war stories of Vietnam veterans to the video farewells of Heaven's Gate cult members. He explores the uses of trauma as both enabling fiction and explanatory tool during times of cultural change. Farrell's investigation begins in late-Victorian England, when physicians invented the clinical concept of "traumatic neurosis" for an era that routinely categorized modern life as sick, degenerate and stressful. He sees similar developments at the end of the 20th century as the Vietnam war and feminism returned the concept to prominence as "post-traumatic stress syndrome". Seeking to understand the psychological dislocation associated with these two periods, Farrell analyzes conflicts produced by dramatic social and economic changes and suddenly expanded horizons. He locates parallels between the cultural fantasies of the 1890s in novels and stories by Arthur Conan Doyle, Rider Haggard, H.G. Wells, Bram Stoker and Oscar Wilde, and novels and films of the 1990s that explore such issues as child sexual abuse, domestic violence, unemployment, racism and apocalyptic rage.
Reviews / Votes
"'Post-traumatic Culture' is a highly creative analysis of trauma, both real and imagined, as part of a cultural system. Its mix of literary analysis, provocative moments, and tantalizing speculation makes it truly a one of a kind book." --Elizabeth Loftus, President, American Psychological Society "Farrell treats a variety of sensational contemporary issues, like post-traumatic stress disorder and the public's panic over child abuse, as cultural tropes, exploring their literary and cinematic narrativizations for the ideological interests they serve. Of particular interest are the discussions about how English and American cultures 'manage' trauma, and how public fantasies model experiences of victimization. The chapter on the film 'Schindler's List' offers a brilliant reading which relates the slave labor economy of the Nazis and Schindler himself to the inhumane conditions of 'Depression-era capitalist cultures' in general, and to today's trend of corporate 'downsizing' with its all too real traumatic consequences."--Joel Black, University of Georgia "A rich and eloquent critical study which offers the violent and visionary aspects of late 19th-century literature and culture as a mirror for our own no less stressful times."--Patrick Parrinder, The University of ReadingMore details
Language
English
Place of publication
Baltimore, MD
United States
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 33 mm
Weight
765 gr
ISBN-13
978-0-8018-5786-7 (9780801857867)
DOI
10.56021/9780801857867
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Book
11/1998
Johns Hopkins University Press
€35.00
Article not available for order
Person
Kirby Farrell is professor of English at the University of Massachusetts, Amherst. His books include 'Snuff', 'The American Satan', and 'Play-Death and Heroism in Shakespeare'.
Content
Preface
Acknowledgements
Introduction: Trauma as Interpretation of Injury
Part I: The Sorrows of the Gay Nineties
Chapter 1. Traumatic Heroism
Chapter 2. Empty Treasure: Sherlock Holmes in Shock
Chapter 3. Post-Traumatic Mourning: Rider Haggard in the Underworld
Chapter 4. Traumatic Prophecy: H.G.Wells at the End of Time
Chapter 5. Post-Traumatic Style: Oscar Wilde in Prison
Part II: Trauma as Story in the 1990s
Chapter 6. Thinking Through Others: Prosthetic Fantasy and Trauma
Chapter 7. Abuse as a Prosthetic System
Chapter 8. Traumatic Triumph in a Black Childhood
Chapter 9. Traumatic Economies in Schindler's List
Chapter 10. Traumatic Romance / Romantic Trauma
Chapter 11. Berserk in Babylon
Chapter 12. Amok at the Apocalypse
Epilogue
Notes
Index
Acknowledgements
Introduction: Trauma as Interpretation of Injury
Part I: The Sorrows of the Gay Nineties
Chapter 1. Traumatic Heroism
Chapter 2. Empty Treasure: Sherlock Holmes in Shock
Chapter 3. Post-Traumatic Mourning: Rider Haggard in the Underworld
Chapter 4. Traumatic Prophecy: H.G.Wells at the End of Time
Chapter 5. Post-Traumatic Style: Oscar Wilde in Prison
Part II: Trauma as Story in the 1990s
Chapter 6. Thinking Through Others: Prosthetic Fantasy and Trauma
Chapter 7. Abuse as a Prosthetic System
Chapter 8. Traumatic Triumph in a Black Childhood
Chapter 9. Traumatic Economies in Schindler's List
Chapter 10. Traumatic Romance / Romantic Trauma
Chapter 11. Berserk in Babylon
Chapter 12. Amok at the Apocalypse
Epilogue
Notes
Index