Kinaesthesia and Visual Self-Reflection in Contemporary Dance

Reviews / Votes

"This book makes an extraordinarily timely contribution to the field of dance studies, through articulating the kinaesthetic awareness that contemporary dancers cultivate in their professional practice. Artfully synthesising previous scholarly research concerning the embodied knowledge of contemporary dancing subjects, Ehrenberg proposes exciting new ways of conceptualising the intra-action between dancers and the ubiquitous technology supporting dancemaking processes. A highly engaging and impactful read, it points to important new directions in dance and related research fields." (-Dr Jenny Roche, Senior Lecturer in Contemporary Dance, University of Limerick, Ireland)

"This book offers an invaluable insight to how dancers respond to and speak about the tension they may experience between the 'felt-sense' of their dancing and their visual image. As such it provides new understandings about how dancers experience being watched. By combining dancer commentary with a range of theories as diverse as feminist philosophy, post-structuralism and posthumanism, the book adeptly conceptualises and interrogates the concept of a 'kinaesthetic mode of attention' for contemporary dance." (-Professor Sarah Whatley, C-DaRE, Coventry University, UK)

"Sparse are the dance scholarly works that explicitly focus on kinaesthesia - our feeling of movement. Kinaesthesia and Visual Self-Reflection in Contemporary Dance is one of these relatively rare books. In this book Shantel Ehrenberg not only qualifies the concept of kinaesthesia, she also places the use of the concept in a historical context as well as describes it phenomenologically. This book is without doubt a great resource for anyone interested in the moving body." (-Professor Susanne Ravn, University of Southern Denmark, Denmarj)