Introduction to Music Publishing for Musicians
Business and Creative Perspectives for the New Music Industry
2nd Edition
Published on 22. January 2025
Book
Hardback
448 pages
979-8-8818-0066-6 (ISBN)
Description
Musicians and students of the new music industry: Want the lowdown on making great music, promoting it, and protecting it-all while earning the royalties you deserve? Introduction to Music Publishing for Musicians, Second Edition is the essential guide, written by two seasoned musicians and industry pros.
In this new edition, you'll discover:
New AI tools and how to use themNew Spotify (and other DSP) royalty ratesUpdated strategies for pitching, placing and monetizing songsCutting-edge digital analytics for monitoring and promoting songsNew developments for registering with collecting societies and organizations Updated strategies for landing that major music publishing dealAnd so much more
This book is organized into eight clear and concise sections: 1) The Basics of Copyrights; 2) Types of Publishing Income; 3) Publishing Companies and Types of Deals; 4) Creative Matters of Music Publishing; 5) Interviews with Today's Creative Pros; 6) Interviews with Today's Business Pros; 7) Key Insights on Music Publishing's Future, and 8) It's a Wrap.
Bobby Borg and Michael Eames have created a simple, easy-to-read overview of today's music publishing industry that is perfect for both students and working musicians who want quick, up-to-date, credible, and relatable information so that they can get back to doing what they like best: creating music!
In this new edition, you'll discover:
New AI tools and how to use themNew Spotify (and other DSP) royalty ratesUpdated strategies for pitching, placing and monetizing songsCutting-edge digital analytics for monitoring and promoting songsNew developments for registering with collecting societies and organizations Updated strategies for landing that major music publishing dealAnd so much more
This book is organized into eight clear and concise sections: 1) The Basics of Copyrights; 2) Types of Publishing Income; 3) Publishing Companies and Types of Deals; 4) Creative Matters of Music Publishing; 5) Interviews with Today's Creative Pros; 6) Interviews with Today's Business Pros; 7) Key Insights on Music Publishing's Future, and 8) It's a Wrap.
Bobby Borg and Michael Eames have created a simple, easy-to-read overview of today's music publishing industry that is perfect for both students and working musicians who want quick, up-to-date, credible, and relatable information so that they can get back to doing what they like best: creating music!
Reviews / Votes
Michael and Bobby have taken the very complex business of music publishing and crystallized it into a compact and easy-to-understand reference book that will be a huge asset to musicians of all levels of experience. It is crucial in this new digital era of music that all musicians and artists understand their business and the important role their songs play in the overall musical eco-system. For anyone desiring to get an overview on the business of songs, Intro to Music Publishing for Musicians: Second Edition is an essential read. -- David Israelite, president & CEO, National Music Publishers' Association (NMPA) An extremely well-laid out and easy-to-read book that provides a strong foundation to both the business and creative aspects of the music publishing industry today. This book is a must-read! -- Michael K. Garcia, chair, music industry program, Thornton School of Music, The University of Southern CaliforniaMore details
Series
Edition
2nd edition
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
Dimensions
Height: 260 mm
Width: 183 mm
Thickness: 34 mm
Weight
1210 gr
ISBN-13
979-8-8818-0066-6 (9798881800666)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Bobby Borg | Michael Eames
Introduction to Music Publishing for Musicians
Business and Creative Perspectives for the New Music Industry
E-Book
02/2025
2nd Edition
Rowman & Littlefield Publishers
€31.99
Available for download
Bobby Borg | Michael Eames
Introduction to Music Publishing for Musicians
Business and Creative Perspectives for the New Music Industry
E-Book
02/2025
2nd Edition
Rowman & Littlefield Publishers
€31.99
Available for download
Previous edition
Bobby Borg | Michael Eames
Introduction to Music Publishing for Musicians
Business and Creative Perspectives for the New Music Industry
Book
06/2021
Rowman & Littlefield Publishers
€57.14
Article exhausted; check for reprint
Persons
Bobby Borg, MCM is a former recording/touring artist, founder of Bobby Borg Consulting, and author of Business Basics for Musicians, Music Marketing for the DIY Musician, Personal Finance for Musicians, and Music Industry Internships. He is also a full-time assistant professor of practice for the music industry program at USC's famed Thornton School of Music.
Michael Eames is a trained composer, songwriter, and pianist with experience in film scoring. He is the President and co-founder of PEN Music Group, Inc., an advisor to the Independent Publisher Advisory Council (IPAC) of the National Music Publisher's Association (NMPA) and an advisory to the Songwriters Of North America (SONA).
Michael Eames is a trained composer, songwriter, and pianist with experience in film scoring. He is the President and co-founder of PEN Music Group, Inc., an advisor to the Independent Publisher Advisory Council (IPAC) of the National Music Publisher's Association (NMPA) and an advisory to the Songwriters Of North America (SONA).
Content
Contents
Foreword by Michael Laskow
Welcome Fam-Both New and Existing: Here's What's Updated and Improved.
Preface
Acknowledgments
Section 1: The Basics of Copyright
Introduction
1.Definition, Formation, and Rights
2.Exceptions to Your Rights
3.Joint Works (AKA Collaborations)
4.Duration of Copyright
5.Copyright Registration and Notice
6.Copyright Infringement
7.Sound Recordings Are Copyrights, Too
8.Copyright Amendments and Additions
9.End-of-Section Frequently Asked Questions
Section 2: Types of Publishing Income
Introduction
10.Mechanical Royalties
11.Performance Royalties
12.Synchronization Fees
13.Print Royalties
14.Electronic Transmissions: Streams, Videos, and More
15.Subpublishing Income Part 1: Four Food Groups Ex-United States
16.Subpublishing Income Part 2: Subpublishers
17.End-of-Section Frequently Asked Questions
Section 3: Publishing Companies and Types of Deals
Introduction
18.What Established Music Publishers Can Do for Your Career
19.Types of Deals with Publishing Companies
20.Other Contract Deal Points with Publishing Companies
21.Synch Exploitation Deals for Independent DIY Musicians
22.Starting Your Own Publishing Company
23.End-of-Section Frequently Asked Questions
Section 4: Creative Matters of Music Publishing
Introduction
24.The Magnificent and Scientific Power of Music
25.Start Preparing for the Creative Process
26.Basic Elements of Popular Songs
27.Uniqueness: Being Most Advanced Yet Still Acceptable
28.Product Innovation: Thirty-Nine Ways to Monetize One Song
29.Placing Music Part 1: Ten Out-of-the-Box Methods
30.Placing Music Part 2: Seven More Conventional Methods
31.Pitching Your Music Like a Pro
32.Promoting Music Part 1: Publicity, Advertising, and Online
33.Promoting Music Part 2: Direct Marketing and Face-to-Face Selling
34.End-of-Section Frequently Asked Questions
Section 5:Interviews with Today's CREATIVE Pros
Introduction
35. Publishing Deals and Getting Signed with Mikey Wax
36. Music Production with Heather Holley
37. Video Games with Inon Zur
38. TV And Film Work with Josh Bartholomew
39. Beat and Sample Creation with Sam Barsh
40. Collaborations and Songwriter Teams with Max Billion
41. Documentary Work with Miriam Cutler
42. Trailer Composing with Simone Benyacar
43. Songwriter Mentorship with Pam Sheyne
44. Advertising Work with Brian Banks
45.End-of-Section Frequently Asked Questions
Section 6: Interviews with Today's BUSINESS Pros
Introduction
46. The Value of Copyright (Present and Future) with Greg Victoroff
47. Artificial Intelligence And Other Tech With Dr. Morten Bay
48. The Business of Rights Management Companies and A&R With Jake Versluis
49. Tracking and Collecting Royalties With David Quan
50. Digital Analytics in the Music Business with Joe Poindexter
51. The Hustle of Song Promotion VIA DSP Playlisting With Mike Warner
52. The Hustle of Music Placements and A&R With Michael Laskow
53. Catalog Acquisitions With Jeff Brabec
54. The Future of Music 2030 and Beyond with Jim Griffin
55. Congress' New AI Bill with Jane Davidson
56. End-of-Section Frequently Asked Questions
Section 7: MORE Things You Need to Know about Music Publishing's Future
Introduction
57.EXPANDING ON Music Publishing's Future Part 1: Legislation to Watch
58.EXPANDING ON Music Publishing's Future Part 2: The Bigger Picture
59.End-of-Section Frequently Asked Questions
Section 8: It's a Wrap!
Introduction
60.Review of Music Publishing in a Nutshell
Glossary of Terms
Music Publishing Resources
End-of-Chapter Quizzes
Chapter Activity Assignments
Appendix A: Bobby's Secret Answers to "Do You Know That..."
Appendix B: Michael's Extras: Sample Work For Hire Agreement For a Session Player
Appendix C: Michael's Extras: Sample General Brief for a TV Show
Appendix D: Michael's Extras: Sample Combined Synch/Master License
Index
Foreword by Michael Laskow
Welcome Fam-Both New and Existing: Here's What's Updated and Improved.
Preface
Acknowledgments
Section 1: The Basics of Copyright
Introduction
1.Definition, Formation, and Rights
2.Exceptions to Your Rights
3.Joint Works (AKA Collaborations)
4.Duration of Copyright
5.Copyright Registration and Notice
6.Copyright Infringement
7.Sound Recordings Are Copyrights, Too
8.Copyright Amendments and Additions
9.End-of-Section Frequently Asked Questions
Section 2: Types of Publishing Income
Introduction
10.Mechanical Royalties
11.Performance Royalties
12.Synchronization Fees
13.Print Royalties
14.Electronic Transmissions: Streams, Videos, and More
15.Subpublishing Income Part 1: Four Food Groups Ex-United States
16.Subpublishing Income Part 2: Subpublishers
17.End-of-Section Frequently Asked Questions
Section 3: Publishing Companies and Types of Deals
Introduction
18.What Established Music Publishers Can Do for Your Career
19.Types of Deals with Publishing Companies
20.Other Contract Deal Points with Publishing Companies
21.Synch Exploitation Deals for Independent DIY Musicians
22.Starting Your Own Publishing Company
23.End-of-Section Frequently Asked Questions
Section 4: Creative Matters of Music Publishing
Introduction
24.The Magnificent and Scientific Power of Music
25.Start Preparing for the Creative Process
26.Basic Elements of Popular Songs
27.Uniqueness: Being Most Advanced Yet Still Acceptable
28.Product Innovation: Thirty-Nine Ways to Monetize One Song
29.Placing Music Part 1: Ten Out-of-the-Box Methods
30.Placing Music Part 2: Seven More Conventional Methods
31.Pitching Your Music Like a Pro
32.Promoting Music Part 1: Publicity, Advertising, and Online
33.Promoting Music Part 2: Direct Marketing and Face-to-Face Selling
34.End-of-Section Frequently Asked Questions
Section 5:Interviews with Today's CREATIVE Pros
Introduction
35. Publishing Deals and Getting Signed with Mikey Wax
36. Music Production with Heather Holley
37. Video Games with Inon Zur
38. TV And Film Work with Josh Bartholomew
39. Beat and Sample Creation with Sam Barsh
40. Collaborations and Songwriter Teams with Max Billion
41. Documentary Work with Miriam Cutler
42. Trailer Composing with Simone Benyacar
43. Songwriter Mentorship with Pam Sheyne
44. Advertising Work with Brian Banks
45.End-of-Section Frequently Asked Questions
Section 6: Interviews with Today's BUSINESS Pros
Introduction
46. The Value of Copyright (Present and Future) with Greg Victoroff
47. Artificial Intelligence And Other Tech With Dr. Morten Bay
48. The Business of Rights Management Companies and A&R With Jake Versluis
49. Tracking and Collecting Royalties With David Quan
50. Digital Analytics in the Music Business with Joe Poindexter
51. The Hustle of Song Promotion VIA DSP Playlisting With Mike Warner
52. The Hustle of Music Placements and A&R With Michael Laskow
53. Catalog Acquisitions With Jeff Brabec
54. The Future of Music 2030 and Beyond with Jim Griffin
55. Congress' New AI Bill with Jane Davidson
56. End-of-Section Frequently Asked Questions
Section 7: MORE Things You Need to Know about Music Publishing's Future
Introduction
57.EXPANDING ON Music Publishing's Future Part 1: Legislation to Watch
58.EXPANDING ON Music Publishing's Future Part 2: The Bigger Picture
59.End-of-Section Frequently Asked Questions
Section 8: It's a Wrap!
Introduction
60.Review of Music Publishing in a Nutshell
Glossary of Terms
Music Publishing Resources
End-of-Chapter Quizzes
Chapter Activity Assignments
Appendix A: Bobby's Secret Answers to "Do You Know That..."
Appendix B: Michael's Extras: Sample Work For Hire Agreement For a Session Player
Appendix C: Michael's Extras: Sample General Brief for a TV Show
Appendix D: Michael's Extras: Sample Combined Synch/Master License
Index