Cosmic Miniatures and the Future Sense
Description
Alexander Kluge's revolutionary storytelling for the 21 st -century pivots on the production of anti-realist hope under conditions of real catastrophe. Rather than relying on possibility alone, his experimental miniatures engender counterfactual horizons of futurity that are made incrementally accessible to lived experience through narrative form. Innovative close readings and theoretical reflection alike illuminate the dimensional quality of future time in Kluge's radical prose, where off-worldly orientation and unnatural narrative together yield new sensory perspectives on associative networks, futurity, scale, and perspective itself. This study also affords new perspectives on the importance of Kluge's creative writing for critical studies of German thought (including Kant, Marx, Benjamin, and especially Adorno), Holocaust memory, contemporary globalization, literary miniatures, and narrative studies of futurity as form. Cosmic Miniatures contributes an experiential but non-empirical sense of hope to future studies, a scholarly field of pressing public interest in endangered times.
Reviews / Votes
"Given the immensity and variety of Kluge's production, scholars are tempted to address all of its aspects in the hope of somehow encompassing this astonishing body of work. Taking the opposite tack, Adelson trades in the extensive for the intensive, with brilliant results: equipped with the instruments of critical theory and postclassical narratology,
Cosmic Miniatures and the Future Sense
bores incisively at one small corner of the Klugean universe--the literary miniature--to reveal the vast philosophical realm that is contained in this minor form. With great analytic precision, stylistic nuance, and no small amount of imagination, Adelson has succeeded in placing Kluge in an entirely new constellation of thought."
(Devin Fore, Princeton University)
"Beautifully and clearly written, Leslie Adelson's study of the future sense in Kluge's 21
st
-century prose miniatures develops a breathtaking dialogue between theoretical archives rarely brought together: German critical theory meets postclassical narratology, and memory studies are opened up towards futurity on the entangled scales of the national, the planetary and the cosmic. In imbricating phenomenological, materialist and epistemological perspectives, this dialogue forcefully conceptualizes the understudied narrative dimension of Kluge's work while challenging contemporary narrative theory to make room for the ways in which Kluge's experiments with narrative voice, perspective and temporality expand the realm of the sensible towards counterfactual hope."
(Claudia Breger, Indiana University Bloomington)
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