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Suite
Londoner Manuskript No. 26. Gitarre.
Ansgar Krause(Editor)
Silvius Leopold Weiss(Composer)
Schott (Publisher)
Published on 26. October 2011
Other
Sheet music
16 pages
9790001177634 (ISBN)
Description
Silvius Leopold Weiss (1686-1750) gilt als der bedeutendste Lautenist der Barockzeit. Seine Werke bestechen auf der Laute durch Eleganz und Erhabenheit. Diese Wirkung wird durch optimale Ausnutzung der Stimmung der Barocklaute erzielt, bei der Terzabstände - im Vergleich zu Quarten bei der Gitarre - überwiegen. Die Stücke sind so komponiert, dass der Lautenist häufig leere Saiten anschlagen kann und nur selten anstrengende Griffe oder gar Streckungen der linken Hand ausführen muss. Hauptziel bei der Bearbeitung für Gitarre war, die daraus resultierende Leichtigkeit des Spiels auf der Gitarre und die für Weiss typischen Verzierungen (insbesondere die Acciaccaturen) so weit wie möglich zu erhalten. So erfolgt eine behutsame Annäherung an die Stimmung der Laute, ohne dass der Spieler sich wesentlich umstellen muss.
Schwierigkeitsgrad: 3-4
Silvius Leopold Weiss (1686-1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals - in contrast to fourths on the guitar - are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.
Instrumentation:
guitar
Schwierigkeitsgrad: 3-4
Silvius Leopold Weiss (1686-1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals - in contrast to fourths on the guitar - are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.
Instrumentation:
guitar
More details
Series
Language
German
Place of publication
Germany
Dimensions
Height: 303 mm
Width: 231 mm
Weight
82 gr
ISBN-13
9790001177634 (9790001177634)
Content
Allemande - Courante - Bourrée - Sarabande - Menuet - Gigue