Practice makes Perfect: Piano
Published on 15. September 1994
Other
Sheet music
40 pages
978-0-19-357025-2 (ISBN)
Description
Practice makes Perfect takes you through all the various aspects of playing your instrument, clearly, helpfully, and progressively. It's full of useful advice, tunes, exercises, practice tips, studies, listening games, and projects about your instrument, designed to show that technique is neither difficult nor boring - but can be fun!
Reviews / Votes
We have become accustomed to Pauline Hall's no-nonsense approach in her Oxford Piano Method tutors - always simple, never excessive yet imperceptibly progressing. This 'Technique Book' is no exception . . . In fact, no aspect of technique is neglected. By the time students have worked through this volume, they should have a thorough basic technique as well as good general musical knowledge. * Piano Journal * A thorough-going, progressive book, full of sound advice, tips, games and projects to animate the early lessons. A good companion, well laid out, constructive - highly recommended. * Classical Piano *More details
Series
Language
English
Place of publication
Oxford
United Kingdom
Target group
Professional and scholarly
Dimensions
Height: 311 mm
Width: 232 mm
Thickness: 3 mm
Weight
169 gr
ISBN-13
978-0-19-357025-2 (9780193570252)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Paul Harris has established an international reputation as one of Britain's leading educationalists. He studied clarinet and conducting at the Royal Academy of Music, He then went on to study music education with Professor Keith Swanwick at the University of London.
He has well over 200 publications to his name; most are concerned with music education dealing primarily with stimulating and helping young players to develop their musical skills. His compositions also include a number of extended and more serious works. Recently he has made a major contribution to the English National Curriculum. He is an examiner for the Associated Board and adjudicates at music festivals and various national competitions. In addition he has undertaken research into specialist music education for the highly talented - an interest that has taken him to many musical institutions around the world.
Pauline Hall graduated from the Royal Academy of Music and then taught in schools and privately. Whilst living and teaching in Harrogate she felt the need for a piano tutor which made learning fun, and which progressed at the pace of her slowest learner. She started by writing little tunes in pupils' notebooks, and these formed the basis of Tunes for Ten Fingers; the Piano Time series developed from this.
He has well over 200 publications to his name; most are concerned with music education dealing primarily with stimulating and helping young players to develop their musical skills. His compositions also include a number of extended and more serious works. Recently he has made a major contribution to the English National Curriculum. He is an examiner for the Associated Board and adjudicates at music festivals and various national competitions. In addition he has undertaken research into specialist music education for the highly talented - an interest that has taken him to many musical institutions around the world.
Pauline Hall graduated from the Royal Academy of Music and then taught in schools and privately. Whilst living and teaching in Harrogate she felt the need for a piano tutor which made learning fun, and which progressed at the pace of her slowest learner. She started by writing little tunes in pupils' notebooks, and these formed the basis of Tunes for Ten Fingers; the Piano Time series developed from this.