Andrew Hemingway
"The Mysticism of Money's drives to make art relevant to industrial society. With this context in hand, Hemingway looks closely at the artist's espousal of Precisionism, the hard-edged style often regarded as an apolitical American variant on Cubism. By contrast, Hemingway contends it served some artists as a vehicle for portraying the dehumanizing consequences of the industrial regime. <BR>His book revolves around the notion that the anti-capitalism of Ault, Hirsch, and Lozowick functioned as a kind of "romance": Precisionist Painting and Machine Age America
Precisionist Painting and Machine Age America